7/10
The fact that I enjoyed this a lot whilst disliking much within the film is odd
23 April 2019
The fact that I enjoyed this a lot whilst disliking much within the film is odd. It is a compelling tale set at the beginning of the 60s as tensions between the US and Cuba increase and are complicated by an opportunist USSR and the cinematography is daringly wondrous making even the seeming mundane something of beauty. On the other hand our narrator and main guy played by Sergio Corrieri is hard to feel much empathy for as he spurns the US and the chance to flee there with his wife and friends but also the Cubans he is left behind with. The dialogue seems clumsy and this could well be the translation but inevitably much is made of the issue of 'underdevelopment' which our hero uses to explain why he cannot relate to the Cuban population. His elitist stand seems to be that because they are so 'underdeveloped' he cannot really relate to them. Nevertheless the film bulges with historic detail and local colour and significance so that even the film's seeming main thrust cannot spoil our pleasure.
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