Ridiculous, cheesy, noir 'thriller'.
It's comical that so many suspenseful scenes only call for a light switch to be turned on - but that rarely happens.
Robertson's broody/moody character is quite laughable. In fact, the more he becomes unhinged the more he seems to channel Basil Fawlty's mannerisms.
I'm not usually good at whodunnits, but I picked this one early on, which is not so much a reflection of my skills but a judgement on this poor effort.
A disappointment given Michael Anderson's directing credentials.
It's comical that so many suspenseful scenes only call for a light switch to be turned on - but that rarely happens.
Robertson's broody/moody character is quite laughable. In fact, the more he becomes unhinged the more he seems to channel Basil Fawlty's mannerisms.
I'm not usually good at whodunnits, but I picked this one early on, which is not so much a reflection of my skills but a judgement on this poor effort.
A disappointment given Michael Anderson's directing credentials.