An Italian film, which has an erotic nature, and behind its entirely sexual level, is a story that may well be behind the scenes of real life.
The title seems to be seemingly simple, and its perform in the form of cinema is surely due to the type of performance, stubborn opponents, and definite supporters.
Of course, the huge audience of these films, are the followers of director's favorite genre, follows the aspects of the appearance of the film, but what can be drawn out as an important summary of the film that it really could think of, the relationship of jealousy And the harshness and its relation to the issue of sexual relations in the dimension of married life.
Certainly, the kind of review of these issues depends to a certain extent on the geography of the film, so it is certainly not in the Middle East that the psychoanalytic issues in the cinema come to the attention of the cinema, as a subject of review.
An issue that is not addressed in this particular community is a clearly identifiable answer, even in the sense of an important issue, and there is basically no response to it.
Italy has a long history in making these films, in which it can be understood that the nature of the effect of satisfaction or lack of satisfaction and its effect on the human body and mind.
Of course, each of these films has a different response to these events, but what matters is the courage to pay attention to the issue in any way to break the taboo that humans face in their subjective mental questions.
Review of Monamour
