Basically an exploitation movie masquerading as a Sci-Fi movie. Even the title exploits better "possession" movies like Rosemary's Baby and the Exorcist. However, there are no demons to be found anywhere, just an obnoxious misogynistic computer called Proteus, and a wheelchair with a mechanical arm. You have to suspend disbelief for so many plot contrivances, it becomes difficult to take the movie seriously.
Julie Christie's character is terrorized and assulted by Proteus for most of the movie, which could be acceptable if there was some point to it. But, what is the audience supposed to take away from all this torment? That A.I. is dangerous and technology is controlling our lives? Without giving much away, the ending of the film completely contradicts this possible message, and almost treats Proteus's offspring as some sort of miracle, or savior.
The Sentinel (1977) or The Entity (1982) would be better options for people interested in this type of movie.
Julie Christie's character is terrorized and assulted by Proteus for most of the movie, which could be acceptable if there was some point to it. But, what is the audience supposed to take away from all this torment? That A.I. is dangerous and technology is controlling our lives? Without giving much away, the ending of the film completely contradicts this possible message, and almost treats Proteus's offspring as some sort of miracle, or savior.
The Sentinel (1977) or The Entity (1982) would be better options for people interested in this type of movie.