Was very intrigued by the story for 'The Strangler', being a fan of murder/mystery/psychological films this was the sort of story that would have appealed to me straightaway, and have liked Victor Buono in other things. The racy content that 'The Strangler' has been referred to as having was another interest point.
'The Strangler' turned out to be a nicely done, entertaining and intriguing film that does much more right than it does wrong. Not great or a masterpiece but well above average and worth a watch, would say too that it deserves more attention than it gets. It is very rarely seen now and it deserves better than that.
It does lack finesse visually, with it looking like it was made hastily. Occasionally the pace creaks in spots.
Other than Victor Buono and Ellen Corby, the rest of the cast don't really stand out, not because they're awful but their characters are nowhere near as interesting. Would have liked a slightly clearer motivation for what drove Kroll to target nurses perhaps and why he chose the methods.
Buono however is the main reason to see 'The Strangler'. He clearly has a ball here and while he is often chilling Buono succeeds in making Kroll more than that and gives him a sympathetic edge. Corby is suitably beastly as the dominating mother figure. The direction is more than capable and much of the script is taut and thought-provoking. The music is haunting without being intrusive.
From start to finish, the story is compelling with lots of suspense, especially in the build ups to the killings, and it is hard to not admire the film's raciness in its unconventionally (at the time) brutal tone, that provides some genuine unsettlement, and the ahead of its time content. The pace is mostly both controlled and tight and the investigative/procedural approaches are fascinating.
On the whole, well done. 7/10 Bethany Cox
'The Strangler' turned out to be a nicely done, entertaining and intriguing film that does much more right than it does wrong. Not great or a masterpiece but well above average and worth a watch, would say too that it deserves more attention than it gets. It is very rarely seen now and it deserves better than that.
It does lack finesse visually, with it looking like it was made hastily. Occasionally the pace creaks in spots.
Other than Victor Buono and Ellen Corby, the rest of the cast don't really stand out, not because they're awful but their characters are nowhere near as interesting. Would have liked a slightly clearer motivation for what drove Kroll to target nurses perhaps and why he chose the methods.
Buono however is the main reason to see 'The Strangler'. He clearly has a ball here and while he is often chilling Buono succeeds in making Kroll more than that and gives him a sympathetic edge. Corby is suitably beastly as the dominating mother figure. The direction is more than capable and much of the script is taut and thought-provoking. The music is haunting without being intrusive.
From start to finish, the story is compelling with lots of suspense, especially in the build ups to the killings, and it is hard to not admire the film's raciness in its unconventionally (at the time) brutal tone, that provides some genuine unsettlement, and the ahead of its time content. The pace is mostly both controlled and tight and the investigative/procedural approaches are fascinating.
On the whole, well done. 7/10 Bethany Cox