IMDb currently has this movie top listed as "Comedy". That plus its eponymous association with the 1980 B-movie classic "Roadie" starring Meat Loaf, not to mention this movie's deceptive DVD tagline ("Sex, drugs, rock 'n' roll. It was fun while it lasted") might lead you to expect... I dunno... a comedy?
It's not. If we're ok with that, then let's move on to what this movie really is.
"Roadie" (2011) is a brutally honest, sometimes bizarre but mostly lucid look at returning to an ordinary life after living on the road for 20 years. The movie doesn't focus on the rockstar life (and in fact the only references we get are a few hazy flashbacks in the beginning) but instead plants us squarely in the real world, Queens NY to be exact, where our protagonist Jimmy is forced to confront reality for perhaps the first time in his life.
The entire story occupies the space of about 24 hours from Jimmy's arrival at his estranged mother's house to his chance encounter with the old high school douchebag who coincidentally married Jimmy's high school sweetheart. The high school sweetheart herself is an amateur musician, and this (plus Jimmy's refusal to accept his failure in life) leads him to claim he's the manager for Blue Oyster Cult. The plot certainly sounds like it could be a raucous rib tickler, but the material is played straight, dramatic rather than farcical, even a bit on the disturbing/dark side.
This came as a big surprise, but once I realized how well everything was presented--the excellent and I mean EXCELLENT acting by all 3 leads plus the mother, the appropriate pace giving things time to breathe, the subtle brooding vibe of cinematography, and of course the great script with believable dialogue--I was sucked in and riveted until the very end.
This film has a slow, careful buildup to an explosive climactic scene and a thoughtful aftermath which will stick in your mind for a long time. The main question being: Whose reality is more valid, those who accept their mediocrity but hang on to dreams of a better future, or those who fall from success but hang onto dreams/fantasies of their past? If that last sentence didn't make a lotta sense, just watch the movie and you'll see what I mean.
"Roadie" has a distinctly indie vibe (as much as I hate to use that term) which means it's not glossy, snappy paced and glamorous like most Hollywood blockbusters. The style reminded me of some of Vincent Gallo's work ("Buffalo 66", "The Brown Bunny") in the same way Gallo weaves a surreal story within the confines of a very real world. If you're not familiar with Gallo, think of maybe "Leaving Las Vegas" where the main character comes from a questionable past and refuses to accept a new future.
Again, this is NOT a rock 'n' roll movie, though it does have some great classic rock tunes on the soundtrack (Blue Oyster Cult, Robin Trower, Jethro Tull, The Ramones). So don't expect Spinal Tap! "Roadie" might be closer to the excellent washed-up-musician flicks "Crazy Heart" or "Searching for an Echo".
It's not. If we're ok with that, then let's move on to what this movie really is.
"Roadie" (2011) is a brutally honest, sometimes bizarre but mostly lucid look at returning to an ordinary life after living on the road for 20 years. The movie doesn't focus on the rockstar life (and in fact the only references we get are a few hazy flashbacks in the beginning) but instead plants us squarely in the real world, Queens NY to be exact, where our protagonist Jimmy is forced to confront reality for perhaps the first time in his life.
The entire story occupies the space of about 24 hours from Jimmy's arrival at his estranged mother's house to his chance encounter with the old high school douchebag who coincidentally married Jimmy's high school sweetheart. The high school sweetheart herself is an amateur musician, and this (plus Jimmy's refusal to accept his failure in life) leads him to claim he's the manager for Blue Oyster Cult. The plot certainly sounds like it could be a raucous rib tickler, but the material is played straight, dramatic rather than farcical, even a bit on the disturbing/dark side.
This came as a big surprise, but once I realized how well everything was presented--the excellent and I mean EXCELLENT acting by all 3 leads plus the mother, the appropriate pace giving things time to breathe, the subtle brooding vibe of cinematography, and of course the great script with believable dialogue--I was sucked in and riveted until the very end.
This film has a slow, careful buildup to an explosive climactic scene and a thoughtful aftermath which will stick in your mind for a long time. The main question being: Whose reality is more valid, those who accept their mediocrity but hang on to dreams of a better future, or those who fall from success but hang onto dreams/fantasies of their past? If that last sentence didn't make a lotta sense, just watch the movie and you'll see what I mean.
"Roadie" has a distinctly indie vibe (as much as I hate to use that term) which means it's not glossy, snappy paced and glamorous like most Hollywood blockbusters. The style reminded me of some of Vincent Gallo's work ("Buffalo 66", "The Brown Bunny") in the same way Gallo weaves a surreal story within the confines of a very real world. If you're not familiar with Gallo, think of maybe "Leaving Las Vegas" where the main character comes from a questionable past and refuses to accept a new future.
Again, this is NOT a rock 'n' roll movie, though it does have some great classic rock tunes on the soundtrack (Blue Oyster Cult, Robin Trower, Jethro Tull, The Ramones). So don't expect Spinal Tap! "Roadie" might be closer to the excellent washed-up-musician flicks "Crazy Heart" or "Searching for an Echo".