The Midnight Hour is a little slow, a little cheesy, and a little saccharine, but it evokes the Halloween mood well.
The moments that really stand out in this movie are the moments where it does finally push the boundaries a little bit -- when it stops being "wacky Halloween fun for the whole family" and actually tries to be a little bit violent, or scary, or even racy. Who knew Levarr Burton could play such a stereotypical horny teen? The overall movie may not stand out in my mind, but these individual moments do (and it's always interesting when a made-for-TV movie tries to find a way around showing blood while still evoking the imagery of blood). The way the movie progressively gets just a little darker, and a little darker, etc. is pretty interesting to watch, too.
In modern times, a lot of things make this movie feel very dated, though. Phil (the protagonist)'s weird Dracula costume, for one, with the bizarre face paint and tinsel wig. That just screams 1985. Two, the movie's obsession with "golden oldie" music; it's been at least a decade or more since all of the oldies stations I know about updated their selection to include songs from the same era this movie was produced in (you have to turn your radio's dial to AM to hear anything made before 1975, these days -- assuming you even still HAVE a radio).
And it's not just that these elements make the movie dated, it's that they're spun in such a way as to be things "modern teens" relate to. Even the way Levarr Burton's character speaks, with that sort of hold-over "jive" slang, feels distinctly 1980's in a way that nobody talks anymore. It feels like an older director was trying to bridge two generations (his and the next), which leaves us in the modern era out of the equation.
Don't get me wrong, it's still enjoyable. The first time I watched this movie was in 2016. But it's important to watch this movie and think about the context it was shown in, because it's a context that doesn't exist anymore.
Come for the fun costumes and special effects, stay the moments where the movie threatens to bend its family-friendly content rules. Just also remember: it was the 80's.
The moments that really stand out in this movie are the moments where it does finally push the boundaries a little bit -- when it stops being "wacky Halloween fun for the whole family" and actually tries to be a little bit violent, or scary, or even racy. Who knew Levarr Burton could play such a stereotypical horny teen? The overall movie may not stand out in my mind, but these individual moments do (and it's always interesting when a made-for-TV movie tries to find a way around showing blood while still evoking the imagery of blood). The way the movie progressively gets just a little darker, and a little darker, etc. is pretty interesting to watch, too.
In modern times, a lot of things make this movie feel very dated, though. Phil (the protagonist)'s weird Dracula costume, for one, with the bizarre face paint and tinsel wig. That just screams 1985. Two, the movie's obsession with "golden oldie" music; it's been at least a decade or more since all of the oldies stations I know about updated their selection to include songs from the same era this movie was produced in (you have to turn your radio's dial to AM to hear anything made before 1975, these days -- assuming you even still HAVE a radio).
And it's not just that these elements make the movie dated, it's that they're spun in such a way as to be things "modern teens" relate to. Even the way Levarr Burton's character speaks, with that sort of hold-over "jive" slang, feels distinctly 1980's in a way that nobody talks anymore. It feels like an older director was trying to bridge two generations (his and the next), which leaves us in the modern era out of the equation.
Don't get me wrong, it's still enjoyable. The first time I watched this movie was in 2016. But it's important to watch this movie and think about the context it was shown in, because it's a context that doesn't exist anymore.
Come for the fun costumes and special effects, stay the moments where the movie threatens to bend its family-friendly content rules. Just also remember: it was the 80's.