Review of Dragonwyck

Dragonwyck (1946)
9/10
Gothic melodrama from the 1840s with thickening intrigue all the way
11 July 2017
Joe Mankiewicz's first film as a director is like all his subsequent ones a paragon of clarity and thoroughness, attaching much attention to every detail, while at the same time the actors are generously given free room to reign. Consequently in all his films, all actors appear outstanding, especially in his early ones. His next film was even darker than this one, maybe his deepest dive into the noir genre, "Somewhere in the Night" about the mystery of a lost identity and even more intriguing than this one - here Vincent Price completely dominates the drama by you in suspense as you never can know or even guess what he is up to. He appears as the perfect gentleman, and yet you must suspect that he has terrible secrets to hide, which don't become evident until the very end, as he masks them so well. Gene Tierney is equally good, and they match each other perfectly - just previously they had been together in Otto Preminger's priceless "Laura".

The other actors are good as well, especially Walter Huston as the terrible but honest father, while you must observe the young Jessica Tandy entering the scene after Gene Tierney has been married. You can't recognize her, but her performance as a cripple is quite remarkable.

Alfred Newman's music is equally perfect, never too intrusive but properly enhancing the Gothic atmosphere whenever it is stressed. Only Glenn Langan as the doctor is a bit simplistic, while the tenants are impressive in every scene. A special tribute to the always admirable Anne Revere as Gene Tierney's wise and hardy mother.
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