Michael is a young man that thinks a lot. We first meet him when he is working for a campaigning, gay magazine and he is with Ben whom he seems to love and has committed to. Then Michael's mother dies and he starts to think about his whole existence and what happens after death.
This leads him on a spiritual path where he realises that he no longer identifies as 'gay'. Now that is all well and dandy but this film really takes its time. Michael is shown as a troubled man who seems to engender a lot of care, sympathy and warmth from those around him and this is despite him being as inspiring as a used shopping list.
His continual whinging about his inner turmoil with God and his old beliefs wear very thin very fast. I kept thinking the plot might make a welcomed detour but alas and alack nay. It really was an absolute bind to get through and that is even with a very good cast, some excellent performances, high production values and good cinematography. It is based on a short story and that may be where the problem is in that there is just simply not enough 'plot' here to make a full length feature.
The other major trip for me is that you have to care about the characters in order to be engaged and gain empathy and I stopped caring for Michael around half way through. The supporting cast are often more deserving and as such this just did not work for me at all.
This leads him on a spiritual path where he realises that he no longer identifies as 'gay'. Now that is all well and dandy but this film really takes its time. Michael is shown as a troubled man who seems to engender a lot of care, sympathy and warmth from those around him and this is despite him being as inspiring as a used shopping list.
His continual whinging about his inner turmoil with God and his old beliefs wear very thin very fast. I kept thinking the plot might make a welcomed detour but alas and alack nay. It really was an absolute bind to get through and that is even with a very good cast, some excellent performances, high production values and good cinematography. It is based on a short story and that may be where the problem is in that there is just simply not enough 'plot' here to make a full length feature.
The other major trip for me is that you have to care about the characters in order to be engaged and gain empathy and I stopped caring for Michael around half way through. The supporting cast are often more deserving and as such this just did not work for me at all.