For a touch of exotic atmosphere only 90 miles from the shores of the USA in a part of the world that shares a common Spanish Colonial heritage with much of the United States, you can view "The Big Boodle". The movie lacks depth but the atmospherics and locales of 1957 Havana are effective, and filmed with fine black and white cinematography.
Errol Flynn stars and looks every inch the movie star, although he appears thin and tired. Nevertheless he summons enough energy to move at a good pace- in fact the overall action moves at a rather fast pace, especially toward the end. Flynn's star quality was still intact although fading rapidly, and he is able to function well enough to carry the film.
Flynn portrays a croupier with a sketchy past who is thrust into some really heavy criminal goings-on. He is believable in the role and his acting (as always) is good. Gia Scala is OK as a young woman involved. Ms.Scala was one of the most remarkably beautiful women ever on film- its regrettable that her startling eyes cannot be shown here in color. Rosanna Rory is a cast member who is relatively obscure but is basically a capable Euro actress of the era. Pedro Armendariz is perfect as the cagey police chief. He was one of the finest screen actors ever and he is superb in this movie. Leading man type Carlos Rivas who you might recognize from the classic 50's monster film "Giant Scorpion" is also well-cast as a reckless and ambitious young Cuban.
Authentic atmospherics of pre-Castro Cuba, some decent acting, and the brisk pace will probably overcome any reservations you may experience from Flynn's obvious weariness and the B-movie nature of this film. I found it to be an entertaining departure into the long lost era of Errol Flynn and of late-50's Cuba.
Errol Flynn stars and looks every inch the movie star, although he appears thin and tired. Nevertheless he summons enough energy to move at a good pace- in fact the overall action moves at a rather fast pace, especially toward the end. Flynn's star quality was still intact although fading rapidly, and he is able to function well enough to carry the film.
Flynn portrays a croupier with a sketchy past who is thrust into some really heavy criminal goings-on. He is believable in the role and his acting (as always) is good. Gia Scala is OK as a young woman involved. Ms.Scala was one of the most remarkably beautiful women ever on film- its regrettable that her startling eyes cannot be shown here in color. Rosanna Rory is a cast member who is relatively obscure but is basically a capable Euro actress of the era. Pedro Armendariz is perfect as the cagey police chief. He was one of the finest screen actors ever and he is superb in this movie. Leading man type Carlos Rivas who you might recognize from the classic 50's monster film "Giant Scorpion" is also well-cast as a reckless and ambitious young Cuban.
Authentic atmospherics of pre-Castro Cuba, some decent acting, and the brisk pace will probably overcome any reservations you may experience from Flynn's obvious weariness and the B-movie nature of this film. I found it to be an entertaining departure into the long lost era of Errol Flynn and of late-50's Cuba.