Two brothers and their lovers become embroiled in mounting murder plots with a lucrative inheritance on the horizon in this comedy thriller full of twists and turns. To say much more might ruin a fresh experience, but suffice it to say, the film is a surefire testament to the dangers of placing too much trust in another human being. The characters live in a very sad world where they can never really trust one another. On the same account though, they are all so greedy and self-absorbed that it is hard to truly care for them; this is one of those awkward films where it is difficult to find a character to root for. The only ostensibly honorable person is a born again Christian detective played by Roy McKinnon, but the way he weaves spirituality into every conversation actually renders him least likable. Ellen DeGeneres also gets on the nerves as McKinnon's wisecracking partner, but she does admittedly have her amusing moments. By all accounts, this is quite a divisive film with not everyone appreciating what director Roland Joffé has opted for by blending neo-noir thriller elements with lighthearted humour. As one would expect from a Joffé film though, it is a well crafted piece of cinema. John Ottman's music score varies effectively between being enchanting and atmospheric and Dante Spinotti's frequently angular cinematography and mobile camera-work ensures that the film is visually arresting. The twists and turns also happen with enough frequency that the film rarely bores even if it is occasionally hard to care for the despicable characters at hand.
Review of Goodbye Lover
