When I first heard about SEVEN SWORDS, I imagined it to be another re-imagining of the classic SEVEN SAMURAI, about a bunch of disparate warriors defending a village from an evil warlord. In essence, this is exactly what the film is, but it bears little resemblance to the Kurosawa classic, and for me that's a good thing. Instead the film chronicles a running battle between seven warriors armed with mystical blades and all the bad guys of an army they're up against. This being a Tsui Hark film, it's got a long running time, is visually sumptuous, and packed with stirring music and top-notch technical values.
The actors are all pretty decent in their respective roles. My only complaint is that the film didn't really need seven heroes – they're too many, even despite the long running time, and some of them hardly get a look in (I'm thinking of the bald guy). Donnie Yen headlines the cast and does his usual posturing and fine fighting, and the final battle is pretty much left down to him. There are also some high quality performances from other cast members, notably Honglei Sun's developed villain, Fire-wind, and the girl who played Green Pearl. It's also fun to see Liu Chia-Liang back on screen, looking exactly the same as he did in DRUNKEN MASTER II.
The film has a distinctive visual style and Hark seems to have been hugely influenced by the landscapes and costumes of RETURN OF THE KING. That's no bad role model. Especially at this film's beginning, before you get used to it, the colours are amazing, with washed-out, drab grey landscapes and vibrant red banners and costumes. The set design is spot on, and particular attention has been paid to the weaponry. The heroes all have wicked-looking swords, which make noises, act like magnets, and they each have their own unique values; indeed the swords are as much characters as the actors holding them. The bad guys have plenty of wicked-looking weaponry adept at slicing the limbs and heads off the innocent, and as a result this is a fairly graphic film, although Hark plays down the violence by always focusing away on it (we'll see a leg falling on the ground, but not the act of it being chopped off). One of the weapons reminded me of the flying guillotine.
Of course, this is primarily an action film, and it delivers action in spades. I'd heard that there was a lagging middle, but I was engaged and entertained throughout. The fights are on a large scale and ably incorporate wire work and standard 'grounded' kung fu, and it's all very enjoyable and hard to take your eyes from the screen. I've always considered Hark's choreography to be a little over-stylised – to the detriment of being able to make out what's happening before your eyes – and that complaint sticks here, but it's a personal issue and most will love the many battle scenes. So, on a final note, this is a massive, expensive and very well made action fantasy that delivers a fitting bland of drama and action.
The actors are all pretty decent in their respective roles. My only complaint is that the film didn't really need seven heroes – they're too many, even despite the long running time, and some of them hardly get a look in (I'm thinking of the bald guy). Donnie Yen headlines the cast and does his usual posturing and fine fighting, and the final battle is pretty much left down to him. There are also some high quality performances from other cast members, notably Honglei Sun's developed villain, Fire-wind, and the girl who played Green Pearl. It's also fun to see Liu Chia-Liang back on screen, looking exactly the same as he did in DRUNKEN MASTER II.
The film has a distinctive visual style and Hark seems to have been hugely influenced by the landscapes and costumes of RETURN OF THE KING. That's no bad role model. Especially at this film's beginning, before you get used to it, the colours are amazing, with washed-out, drab grey landscapes and vibrant red banners and costumes. The set design is spot on, and particular attention has been paid to the weaponry. The heroes all have wicked-looking swords, which make noises, act like magnets, and they each have their own unique values; indeed the swords are as much characters as the actors holding them. The bad guys have plenty of wicked-looking weaponry adept at slicing the limbs and heads off the innocent, and as a result this is a fairly graphic film, although Hark plays down the violence by always focusing away on it (we'll see a leg falling on the ground, but not the act of it being chopped off). One of the weapons reminded me of the flying guillotine.
Of course, this is primarily an action film, and it delivers action in spades. I'd heard that there was a lagging middle, but I was engaged and entertained throughout. The fights are on a large scale and ably incorporate wire work and standard 'grounded' kung fu, and it's all very enjoyable and hard to take your eyes from the screen. I've always considered Hark's choreography to be a little over-stylised – to the detriment of being able to make out what's happening before your eyes – and that complaint sticks here, but it's a personal issue and most will love the many battle scenes. So, on a final note, this is a massive, expensive and very well made action fantasy that delivers a fitting bland of drama and action.