Preposterously plotted but stylishly directed and impeccably acted, this is vintage Golden Age Hollywood melodrama. So much of the story-line is improbable, as the young Joan Fontaine's poor young French teenager develops a lifetime crush on the debonair but rakish concert pianist Louis Jourdain, a fascination that has tragic consequences for both. Like another classic film from around the same time "Portrait Of Jennie" the mistake is made in initially having the female lead attempt to carry herself off as a much younger version of herself, but once she matures into adult-hood, Fontaine is effective as the quietly enigmatic woman forever drawn to Jourdain's debonair charms.
I found it equally hard to believe that Jourdain's character could forget his previous encounters with Fontaine, especially the way that Max Ophuls directs the telling scenes, never mind that she eventually goes on to father his child. Such a plot could only end in death and tragedy and while I couldn't believe a word of it, still it was wonderfully entertaining along the way.
The costumes and sets are excellent and Jourdain and Fontaine are to be commended too for their fine performances, but doyens of film-making will particularly enjoy the skill with which director Ophuls employs his camera-work, so fluidly at times that the action appears to float in front of the viewer's eyes.
In a way, this film reminded me of grand opera, a wholly unbelievable story brought to life by the skill of its creator.
I found it equally hard to believe that Jourdain's character could forget his previous encounters with Fontaine, especially the way that Max Ophuls directs the telling scenes, never mind that she eventually goes on to father his child. Such a plot could only end in death and tragedy and while I couldn't believe a word of it, still it was wonderfully entertaining along the way.
The costumes and sets are excellent and Jourdain and Fontaine are to be commended too for their fine performances, but doyens of film-making will particularly enjoy the skill with which director Ophuls employs his camera-work, so fluidly at times that the action appears to float in front of the viewer's eyes.
In a way, this film reminded me of grand opera, a wholly unbelievable story brought to life by the skill of its creator.