Director Peter Jackson and wife Fran Walsh have successfully created an epic movie in both look and feel to equal J. R. R. Tolkien's novel (itself awarded the title of "book of the century"), bringing to the big screen a film nearly flawless in its execution. My biggest disappointment is that two chapters are missing from the novel - Tom Bombadil and the following encounter with the barrow-wrights - but everything else is present and correct.
Visually the film is stunning, and Jackson's decision to shoot it entirely in New Zealand is one that pays off. From the incredibly lush green opening scenes of the Shire, to the enchanting elvish woods, to the imposing mountains and plains, it really is a great film to look at and enjoy the backdrop. Even the computer-generated images, like that of Mount Doom, are pretty realistic. Jackson's fluid camera leads to some great sweeping shots through orc-infested mines, huge towers, cameras in places you've never dreamed of. The soundtrack is also perfect, with Howard Shore's suspenseful, exciting, and emotional score a real plus, especially with the cool chanting that fills the Mines of Moria sequence. On top of this, great stuff is done with sound effects - in particular one scene involving a horn suddenly blowing had me jumping in my seat with its realism.
I don't really need to examine the story, because it sticks closely to the book with so few minor changes that it's impeccable. The script is intelligent and well-written, the characters charismatic and believable in the situations they encounter. Despite a three hour running time, the film never drags, even in some of the slower sequences - I just didn't want it to be over while I was watching it. The costumes, sets and appearances - down to the hobbits' hairy feet - are all exactly as you would picture them in the book. Jackson's bizarre, arty depiction of life in the "netherworld" when Frodo puts on the ring and becomes invisible is as good as it could ever have been - spooky, supernatural and utterly weird. Lighting, pacing, suspense, tension, and the rest - it's all here and done 100% correctly for an overall brilliant effect.
Elijah Wood seemed an odd choice to me for the lead role, but I immediately fell in love with his character. Through his acting he creates an emotional, weak in body but strong in spirit hero, a real centre piece for the film to evolve around, and the film makes great use of the actor's slightly odd eyes (especially in the sequence in which he nearly becomes a wraith). Ian McKellen is also excellent as Gandalf and seems to have been perfectly cast in the role, making it his own. Then there's the fellowship itself - Viggo Mortensen excels as the proud and just Strider (later Aragorn), especially in the action stakes where he fights with such fierce determination that he's a presence to behold. Orlando Bloom is fine as the elf warrior Legolas, and moves as fast with his bow as he does in the book. Screen stalwart John Rhys-Davies IS Gimli the dwarf, and couldn't be better. Then there's Sean Astin - lovable as the dopey but loyal Sam Gamgee, and Billy Boyd and Dominic Monaghan in slight comic relief roles as hobbit buddies Pip and Merry. Finally, kudos to Sean Bean, for creating in Boromir a flawed but deeply likable and understandable character, with a sympathetic performance that eclipses all of the actor's previous work - bravo.
The action sequences are magnificent and really get the heart going - they put you into the middle of the action with all the blood, sweat and clanging steel, and are edge-of-the-seat stuff. Highlights include Strider fighting the ring-wraiths with his burning brand on Weathertop and the final assault by orcs on the fellowship, which leads to one of the most noble deaths ever in a film. And what of the special effects? In a film dominated by CGI work, I'm happy to say that most are unnoticeable. The digital manipulation to create four-foot hobbits is sometimes dodgy but most of the time you don't notice. The backdrops and effects are great, expensive looking but solid and real at the same time - whoever said they look "cartoony" just got it wrong.
My favourite scene in the movie is the Mines of Moria sequence - a fantasy fan's dream come true, and the best on screen depiction of a Dungeons & Dragons game so far. The lurker in the lake is a Lovecraftian monster par excellence and the spooky and atmospheric trip through the corpse-strewn deserted mines exceptionally eerie stuff. Then follows a fantastic battle with a cave troll, thankfully on screen for a fair amount of time so we get to admire the fluid and superb effects, and then a truly gob-smacking encounter with the fiery Balrog, just as you imagine it from the book. This half an hour is probably the best film sequence I've ever seen, flawless and perfect in its depiction - amazing. A highlight of what is an impressive and epic film throughout, and a must see for any film fan worth their salt - I can't recommend this film highly enough, and plan to watch it again before the cinema run expires. In my opinion this is better than any STAR WARS movie or HARRY POTTER - and easily one of the best fantasy movies ever made, although it has to be said the competition isn't exactly stiff. Bring on the sequel!
Visually the film is stunning, and Jackson's decision to shoot it entirely in New Zealand is one that pays off. From the incredibly lush green opening scenes of the Shire, to the enchanting elvish woods, to the imposing mountains and plains, it really is a great film to look at and enjoy the backdrop. Even the computer-generated images, like that of Mount Doom, are pretty realistic. Jackson's fluid camera leads to some great sweeping shots through orc-infested mines, huge towers, cameras in places you've never dreamed of. The soundtrack is also perfect, with Howard Shore's suspenseful, exciting, and emotional score a real plus, especially with the cool chanting that fills the Mines of Moria sequence. On top of this, great stuff is done with sound effects - in particular one scene involving a horn suddenly blowing had me jumping in my seat with its realism.
I don't really need to examine the story, because it sticks closely to the book with so few minor changes that it's impeccable. The script is intelligent and well-written, the characters charismatic and believable in the situations they encounter. Despite a three hour running time, the film never drags, even in some of the slower sequences - I just didn't want it to be over while I was watching it. The costumes, sets and appearances - down to the hobbits' hairy feet - are all exactly as you would picture them in the book. Jackson's bizarre, arty depiction of life in the "netherworld" when Frodo puts on the ring and becomes invisible is as good as it could ever have been - spooky, supernatural and utterly weird. Lighting, pacing, suspense, tension, and the rest - it's all here and done 100% correctly for an overall brilliant effect.
Elijah Wood seemed an odd choice to me for the lead role, but I immediately fell in love with his character. Through his acting he creates an emotional, weak in body but strong in spirit hero, a real centre piece for the film to evolve around, and the film makes great use of the actor's slightly odd eyes (especially in the sequence in which he nearly becomes a wraith). Ian McKellen is also excellent as Gandalf and seems to have been perfectly cast in the role, making it his own. Then there's the fellowship itself - Viggo Mortensen excels as the proud and just Strider (later Aragorn), especially in the action stakes where he fights with such fierce determination that he's a presence to behold. Orlando Bloom is fine as the elf warrior Legolas, and moves as fast with his bow as he does in the book. Screen stalwart John Rhys-Davies IS Gimli the dwarf, and couldn't be better. Then there's Sean Astin - lovable as the dopey but loyal Sam Gamgee, and Billy Boyd and Dominic Monaghan in slight comic relief roles as hobbit buddies Pip and Merry. Finally, kudos to Sean Bean, for creating in Boromir a flawed but deeply likable and understandable character, with a sympathetic performance that eclipses all of the actor's previous work - bravo.
The action sequences are magnificent and really get the heart going - they put you into the middle of the action with all the blood, sweat and clanging steel, and are edge-of-the-seat stuff. Highlights include Strider fighting the ring-wraiths with his burning brand on Weathertop and the final assault by orcs on the fellowship, which leads to one of the most noble deaths ever in a film. And what of the special effects? In a film dominated by CGI work, I'm happy to say that most are unnoticeable. The digital manipulation to create four-foot hobbits is sometimes dodgy but most of the time you don't notice. The backdrops and effects are great, expensive looking but solid and real at the same time - whoever said they look "cartoony" just got it wrong.
My favourite scene in the movie is the Mines of Moria sequence - a fantasy fan's dream come true, and the best on screen depiction of a Dungeons & Dragons game so far. The lurker in the lake is a Lovecraftian monster par excellence and the spooky and atmospheric trip through the corpse-strewn deserted mines exceptionally eerie stuff. Then follows a fantastic battle with a cave troll, thankfully on screen for a fair amount of time so we get to admire the fluid and superb effects, and then a truly gob-smacking encounter with the fiery Balrog, just as you imagine it from the book. This half an hour is probably the best film sequence I've ever seen, flawless and perfect in its depiction - amazing. A highlight of what is an impressive and epic film throughout, and a must see for any film fan worth their salt - I can't recommend this film highly enough, and plan to watch it again before the cinema run expires. In my opinion this is better than any STAR WARS movie or HARRY POTTER - and easily one of the best fantasy movies ever made, although it has to be said the competition isn't exactly stiff. Bring on the sequel!