Bottom of the barrel British sex comedy exploitation, SHE'LL FOLLOW YOU ANYWHERE charts the misadventures of a couple of blundering scientists who accidentally invent a new scent that has an aphrodisiac effect on women, causing them to shed both their inhibitions and their clothes in their pursuit of instant gratification. The men decide to take advantage of their production in the hope of fame and fortune, but only strife follows...
It's not that this film has an intrinsically poor plot, because there's some basic merit in the premise. No, the problem here is that the execution is so bad. I appreciate that this film was made on a low budget but nothing about the movie rings true. The humour is forced and often awkward, and Kenneth Cope in particular is very poor, mugging for all his worth throughout. Keith Barron is a trifle better but saddled with a dull character who does very little other than mope around.
There are lots of shenanigans with attractive women, but there's a surprisingly small amount of nudity; most of the cast strip to their underwear alone. There are bit parts for the Collinson twins and Me Me Lai. A lot of the conflict comes from the relationships with the long-suffering wives which feels like forced, sub-par CARRY ON style comedy. In addition, SHE'LL FOLLOW YOU ANYWHERE feels overlong and repetitive, making this one of the least of its type.
It's not that this film has an intrinsically poor plot, because there's some basic merit in the premise. No, the problem here is that the execution is so bad. I appreciate that this film was made on a low budget but nothing about the movie rings true. The humour is forced and often awkward, and Kenneth Cope in particular is very poor, mugging for all his worth throughout. Keith Barron is a trifle better but saddled with a dull character who does very little other than mope around.
There are lots of shenanigans with attractive women, but there's a surprisingly small amount of nudity; most of the cast strip to their underwear alone. There are bit parts for the Collinson twins and Me Me Lai. A lot of the conflict comes from the relationships with the long-suffering wives which feels like forced, sub-par CARRY ON style comedy. In addition, SHE'LL FOLLOW YOU ANYWHERE feels overlong and repetitive, making this one of the least of its type.