NOOSE is a well-plotted but oddly uninspiring little crime film which deals with efforts to bring down an Italian black market racketeer operating in London following WW2. His sheer breadth of power means that the authorities are powerless against him, until a lone female reporter decides to write a scoop that brings him out of the woodwork and up against her.
There's some great material in the narrative here, including a completely amoral villain who enjoys using knuckle dusters to beat up women! The stark gang violence makes ahead of its time, but it's a pity that the execution is less than stellar. The film plods when it should grip, and it only really gets going in the last twenty minutes or so, with an unusual and rather powerful climax. It's one of those rare films where the women are both empowered and sexualised, leaving the men looking weak by comparison.
The tragic Carole Landis stars in her penultimate acting role before her untimely suicide and very good she is too: bright, brassy, and running rings around the menfolk. Joseph Calleia and Derek Farr are rather uninspired as the rival protagonists, though we do get the likes of Stanley Holloway in support, and even a brief cameo for Michael Ripper. Nigel Patrick is something of a scene stealer as a loud-mouth spiv, and although his telephone manner is absolutely hilarious, I found his brash character ended up being too over the top for his own good.
There's some great material in the narrative here, including a completely amoral villain who enjoys using knuckle dusters to beat up women! The stark gang violence makes ahead of its time, but it's a pity that the execution is less than stellar. The film plods when it should grip, and it only really gets going in the last twenty minutes or so, with an unusual and rather powerful climax. It's one of those rare films where the women are both empowered and sexualised, leaving the men looking weak by comparison.
The tragic Carole Landis stars in her penultimate acting role before her untimely suicide and very good she is too: bright, brassy, and running rings around the menfolk. Joseph Calleia and Derek Farr are rather uninspired as the rival protagonists, though we do get the likes of Stanley Holloway in support, and even a brief cameo for Michael Ripper. Nigel Patrick is something of a scene stealer as a loud-mouth spiv, and although his telephone manner is absolutely hilarious, I found his brash character ended up being too over the top for his own good.