This touching drama with comedy throughout is a view of relationships that build with time, trust and character. Paz Vega is sincere, wide- eyed and curious, yet fearful of stepping out of what she knows as a Mexican lady who struggles with cultural conflicts with raising her bilingual daughter who herself is anxious to mix both of her cultures. As the maid to Tea Leoni, a neurotic Bel Air housewife who takes many liberties with her role as Vega's employer, especially with Vega's daughter, Shelbie Bruce, Vega becomes more important to everyone in the household. As Leoni becomes increasingly difficult, Vega spends more time with Leoni's daughter who teaches her better English and finds herself more involved in her employer's troubles than she wanted to be.
Both comical commentary and sage wisdom are offered by Leoni's delightful mother (the scene stealing Cloris Leachman), a former singing star who loves her wine and sees her daughter for the mess she is, often siding with Sandler. Quite subtle for a change, Sandler is more of a reactor, and often it seems like he's dumbfounded by Leoni's often hammy performance. It seems like she's biting off more meat than she can swallow, and tried too hard to keep up with the Oscar winning Cloris. Young Sarah Steele is a nice find as Leoni and Sandler's chubby daughter who strives for typical awkward teen acceptance without becoming cloying.
This isn't quite a masterpiece, but it is quite pleasing in spite of Leoni's forced performance and a few deep plot holes. Surprisingly well written and directed by Joseph Brooks, it is a bit of a sleeper and filled with some unpredictable moments. As Sandler and Vega bond, a different kind of love grows, and it becomes very revealing into all of these character's hearts. I didn't see the need however to tell this through flashbacks as it already seemed to be set in modern times and could have just added a prologue to wrap things up.
Both comical commentary and sage wisdom are offered by Leoni's delightful mother (the scene stealing Cloris Leachman), a former singing star who loves her wine and sees her daughter for the mess she is, often siding with Sandler. Quite subtle for a change, Sandler is more of a reactor, and often it seems like he's dumbfounded by Leoni's often hammy performance. It seems like she's biting off more meat than she can swallow, and tried too hard to keep up with the Oscar winning Cloris. Young Sarah Steele is a nice find as Leoni and Sandler's chubby daughter who strives for typical awkward teen acceptance without becoming cloying.
This isn't quite a masterpiece, but it is quite pleasing in spite of Leoni's forced performance and a few deep plot holes. Surprisingly well written and directed by Joseph Brooks, it is a bit of a sleeper and filled with some unpredictable moments. As Sandler and Vega bond, a different kind of love grows, and it becomes very revealing into all of these character's hearts. I didn't see the need however to tell this through flashbacks as it already seemed to be set in modern times and could have just added a prologue to wrap things up.