An interesting, and different, black comedy that provides an interesting and unprecedented view of how future technologies will affect all human relationships: friendship, emotional relationships, work relationships... in a kind of tribute to the most futuristic visions of Jacques Tati in "Mon Oncle" or "Play Time', also the story has dyes from Philip K. Dick's sharpness, without forgetting —as a black comedy— the touch of Woody Allen's anticipation style, although the protagonist is nailed to Nanni Moretti...
The movie keeps the tension, creates perfectly chained situations and solves with good arts a script that could have fallen a hundred different places. The atmosphere and aesthetics of the film are noteworthy, with its mild anachronistic touch, and has no cracks in its approach of frightening (and suggestive at once) speculative fiction while being an American comedy about thirtysomething people and their usual problems: love, job, friends, addictions, unfulfilled desires and the reality that —always— imposes itself (problems that, apparently, are the same in the future).
A striking film for those interested in Speculative Fiction.
The movie keeps the tension, creates perfectly chained situations and solves with good arts a script that could have fallen a hundred different places. The atmosphere and aesthetics of the film are noteworthy, with its mild anachronistic touch, and has no cracks in its approach of frightening (and suggestive at once) speculative fiction while being an American comedy about thirtysomething people and their usual problems: love, job, friends, addictions, unfulfilled desires and the reality that —always— imposes itself (problems that, apparently, are the same in the future).
A striking film for those interested in Speculative Fiction.