Review of Damien

Damien (2016)
8/10
Modern Re-Working Is A Solid Effort
8 March 2016
I have confidence in Glen Mazzara's creation of this series, even if the critics out there trashing it, do not. One critic went so far as to say he would never give this show another chance after viewing the pilot. What tripe and how close minded. I gave Hannibal a chance, a re-working of another well-known character, and was richly rewarded. I intend to give this series a shot, let it unfold and see how it hits me, as a big fan of the 1976 Richard Donner film from which it draws thematically and musically. What I like about the pilot episode: the modern updating, the acting, the music, and not making Damien good or bad but basically innocent until his 30th birthday (why, I will leave for you to discover), upon which he must start grappling with horrific memories of his long-past childhood.

It makes no sense for Damien to start out evil in this show, as that leaves his character nowhere to go. What I hope will be explored is if the nature of evil, whether you believe in Revelation/the Bible or not, is a growth, a given, a concept that can be overcome, or something you ultimately must submit to and revel in as your true nature. And that conflict, the gray area, is much more interesting to me. This series will sink or swim, based on its ability to draw out that narrative. And in just viewing the pilot, I think it has a lot of possibility.
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