I like it more than I expected. Spanning over 25 years, it showed how personal relationships changed in China amid the exponential growth in economic development. We only see the snapshots of 1992, 2014 and 2025 and had to deduce what happened in between. Many changes take place over the years but something remain unchanged – Tao, the female protagonist, is upbeat, hardworking, and does not forget her roots no matter how bad the circumstance turns out. She is like a pillar against all the changes around her. Her dumplings, her love for her son, and her love for dogs did not change. She treasures keys. She even remembers the dance steps she learnt 25 years ago.
According to Confucius teaching dated back more than 2000 years ago, a woman needs three obedience (三從): obey her father before marriage, obey her husband after marriage and obey her son after her husband is dead. Interestingly this movie mentioned these three important men in a women's life. However, the values are no longer valid with the feminist movement and the rapid changes in economic development and migration.
In the case of our protagonist, Tao has a close relationship with her father before her marriage but she seems to have chosen someone her father does not approve. More than a decade later, Tao emerges into a mature business woman who is divorced. When her father dies she has no husband to obey but instead summoned her 7- year-old son to attend his grandfather's funeral. In the third part of the movie, we are not even sure mother and son ever reunite across two continents. And her son seems to be as lost as his father once was.
Lovers, father, husband and son all left but Tao goes on with life, with the same smile, wrapping the same dumplings she had made for her loved ones. She has no one to answer to but only herself to depend on in new China and she seems fine.
On the contrary, the male characters seems to be at a loss in one way or the other. In 1999, Tao's lover Liangzi left his hometown with a broken heart after Tao chose the wealthier Junsheng. He only returned to his roots after his life dwindled and health deteriorated. Perhaps if he and Tao has been together he would not have had to leave, then he would not have been sick. He always had that sad face and it is painful to see him struggle with life. But Liang is fortunate to have a nice wife who asks Tao for financial help. We do not see Tao regretting her choice even though she has kept his keys all along and passes it back to him. She even keeps the wedding invitation she sent him but he left in the house 15 year ago. Perhaps to her, that was all part of her history.
Jinsheng is the one who changes the most throughout the years. In the beginning he wins Tao over with his wealth and material comfort. The aggressive high achiever even cuts off his friendship with Liangzi, in competition for Tao. He is so into wealth that he names his son Dollar. A decade and a half later, Jinsheng and Tao have been divorced and he works in risk management in Shanghai and sends their son to an international school. Again, he thinks money can do everything and provides material comfort to his 7-year-old son. Another decade later, in Australia, Jinsheng is a lonely old man who does not speak English and feels alienated in a strange land. He is even lonelier than before because he finally has freedom but he does not know what to do with it. He has escaped from his enemy so there is no one to chase or fight against. His freedom ironically forms an invisible jail that traps him in his huge mansion facing the beach. All his life he has been chasing for money; now he only has money: but no wife, no lover, no son, no life skills, no happiness or fulfillment. He cannot communicate with his son. From cars to money to guns, he has all the material comfort he can afford but he is still lonely and insecure and not happy. Could very well be how many rich Chinese feel because they do not know what they were working towards.
Dollar, his 18-year-old son decides to quit college because nothing excites him anymore. He can do anything but he does not remember what his mother's name was. He has not met her since he was 7. Maybe that's why he develops a relationship with his teacher who could be his mom. He is open to new opportunities but he does not realize that reality can be tough – in this sense he is just like his father. Being uprooted is tough and Jinsheng has done it two times over 25 years while dragging his son along.
Something exist throughout the three periods: dog (with Tao's old sweater), key to home, dance, Sally Yeh's song "Treasure", Tao's smile and calmness, her dumplings, mobile phone and electronic devices that supposed to be connecting people (in the third period it actually caused more misunderstanding because of Google translate) but instead making people even more alienated.
Quite an inspiring and visionary piece to force us to reflect on what kind of life we are living in China or elsewhere, and what type of life we would like to live. Great acting. Highly recommended.
According to Confucius teaching dated back more than 2000 years ago, a woman needs three obedience (三從): obey her father before marriage, obey her husband after marriage and obey her son after her husband is dead. Interestingly this movie mentioned these three important men in a women's life. However, the values are no longer valid with the feminist movement and the rapid changes in economic development and migration.
In the case of our protagonist, Tao has a close relationship with her father before her marriage but she seems to have chosen someone her father does not approve. More than a decade later, Tao emerges into a mature business woman who is divorced. When her father dies she has no husband to obey but instead summoned her 7- year-old son to attend his grandfather's funeral. In the third part of the movie, we are not even sure mother and son ever reunite across two continents. And her son seems to be as lost as his father once was.
Lovers, father, husband and son all left but Tao goes on with life, with the same smile, wrapping the same dumplings she had made for her loved ones. She has no one to answer to but only herself to depend on in new China and she seems fine.
On the contrary, the male characters seems to be at a loss in one way or the other. In 1999, Tao's lover Liangzi left his hometown with a broken heart after Tao chose the wealthier Junsheng. He only returned to his roots after his life dwindled and health deteriorated. Perhaps if he and Tao has been together he would not have had to leave, then he would not have been sick. He always had that sad face and it is painful to see him struggle with life. But Liang is fortunate to have a nice wife who asks Tao for financial help. We do not see Tao regretting her choice even though she has kept his keys all along and passes it back to him. She even keeps the wedding invitation she sent him but he left in the house 15 year ago. Perhaps to her, that was all part of her history.
Jinsheng is the one who changes the most throughout the years. In the beginning he wins Tao over with his wealth and material comfort. The aggressive high achiever even cuts off his friendship with Liangzi, in competition for Tao. He is so into wealth that he names his son Dollar. A decade and a half later, Jinsheng and Tao have been divorced and he works in risk management in Shanghai and sends their son to an international school. Again, he thinks money can do everything and provides material comfort to his 7-year-old son. Another decade later, in Australia, Jinsheng is a lonely old man who does not speak English and feels alienated in a strange land. He is even lonelier than before because he finally has freedom but he does not know what to do with it. He has escaped from his enemy so there is no one to chase or fight against. His freedom ironically forms an invisible jail that traps him in his huge mansion facing the beach. All his life he has been chasing for money; now he only has money: but no wife, no lover, no son, no life skills, no happiness or fulfillment. He cannot communicate with his son. From cars to money to guns, he has all the material comfort he can afford but he is still lonely and insecure and not happy. Could very well be how many rich Chinese feel because they do not know what they were working towards.
Dollar, his 18-year-old son decides to quit college because nothing excites him anymore. He can do anything but he does not remember what his mother's name was. He has not met her since he was 7. Maybe that's why he develops a relationship with his teacher who could be his mom. He is open to new opportunities but he does not realize that reality can be tough – in this sense he is just like his father. Being uprooted is tough and Jinsheng has done it two times over 25 years while dragging his son along.
Something exist throughout the three periods: dog (with Tao's old sweater), key to home, dance, Sally Yeh's song "Treasure", Tao's smile and calmness, her dumplings, mobile phone and electronic devices that supposed to be connecting people (in the third period it actually caused more misunderstanding because of Google translate) but instead making people even more alienated.
Quite an inspiring and visionary piece to force us to reflect on what kind of life we are living in China or elsewhere, and what type of life we would like to live. Great acting. Highly recommended.