"The Pigeon That Took Rome" is a very entertaining World War II film. Another reviewer stated that Charlton Heston doesn't do well in a comedy role. I think that's probably true, generally. But in this film, his character is perfect for the plot. This is a tongue- in-cheek comedy about World War II in Rome before the Allies have taken the city. Things weren't very funny to the Italians then – even though they are a people who tend to take things in stride and still see humor in difficult times.
There's much more to this, but one must save some of the details that new viewers will enjoy more without foreknowledge.
Heston's persona fits so well because of the very fact that he doesn't belong doing spy work or undercover work. He tells that to his CO when Col. Harrington sends him on his assignment. Heston protests that he is a line solder who fights and works best with the ranks in the field. So, when he gets to Rome through the Italian "resistance" he clearly doesn't fit in. And, that's part of the humor because he and Elsa Martinelli's character, Antonella Massimo, go at one another often. If that were all there was to this assignment, the film indeed would not be that funny. But, Harry Guardino is tossed into the pot as Sgt. Joseph Angelico, a GI who speaks Italian, and he's to help MacDougall. Guardino's character adds a light touch that mellows out the spats, and he provides for a nice romantic aspect of the film with Antonella's sister in the film, Rosalba, played by Gabriella Pallotta.
All of the cast are excellent in this film. The head of the Massimo household and the Italian resistance is the widower father, Ciccio, played superbly by Salvatore Baccoloni. He was an opera singer as well as an occasional movie actor.
Heston has a double role as Captain Paul MacDougall, and as Benny the Snatch, a fictitious member of his squad. Captain MacDougall is the Snatch. And, he also narrates the story – after the fact. His tongue-in-cheek is very funny at times. A hilarious scene to me is when he watches as the stolen pigeons (which, at the time, he didn't know were stolen), dutifully fly back home right to Nazi headquarters. MacDougall learns that the Allied homing pigeons had been the main course at the dinner to announce the engagement to the Massimo's extended family of daughter Rosalba to Sgt. Angelico. Well, all the pigeons but one, but MacDougall didn't know that Antonella had spared one for its carrier missions. So, with the new knowledge in hand, MacDougall sends a message poignantly intended for the Germans. And the German commander's reaction is very funny.
Even funnier is that MacDougall and Angaelico watch as the last four pigeons are released and only three of them fly to Nazi headquarters. The other – the last true blue Allied pigeon that Antonella had spared (unbeknownst to MacDougall) flies south to the Allied lines. And the message intended for the Germans' eyes is such good news to the Allies that they press the attack and quickly push the Germans back and take Rome.
This film is just good fun, even if the romance of the Heston and Martinelli characters at the end seems a bit contrived, considering how much and often they were at each other's throats through much of the film. As one other reviewer noted, its best just to disconnect one's brains and sit back to enjoy this film.
There's much more to this, but one must save some of the details that new viewers will enjoy more without foreknowledge.
Heston's persona fits so well because of the very fact that he doesn't belong doing spy work or undercover work. He tells that to his CO when Col. Harrington sends him on his assignment. Heston protests that he is a line solder who fights and works best with the ranks in the field. So, when he gets to Rome through the Italian "resistance" he clearly doesn't fit in. And, that's part of the humor because he and Elsa Martinelli's character, Antonella Massimo, go at one another often. If that were all there was to this assignment, the film indeed would not be that funny. But, Harry Guardino is tossed into the pot as Sgt. Joseph Angelico, a GI who speaks Italian, and he's to help MacDougall. Guardino's character adds a light touch that mellows out the spats, and he provides for a nice romantic aspect of the film with Antonella's sister in the film, Rosalba, played by Gabriella Pallotta.
All of the cast are excellent in this film. The head of the Massimo household and the Italian resistance is the widower father, Ciccio, played superbly by Salvatore Baccoloni. He was an opera singer as well as an occasional movie actor.
Heston has a double role as Captain Paul MacDougall, and as Benny the Snatch, a fictitious member of his squad. Captain MacDougall is the Snatch. And, he also narrates the story – after the fact. His tongue-in-cheek is very funny at times. A hilarious scene to me is when he watches as the stolen pigeons (which, at the time, he didn't know were stolen), dutifully fly back home right to Nazi headquarters. MacDougall learns that the Allied homing pigeons had been the main course at the dinner to announce the engagement to the Massimo's extended family of daughter Rosalba to Sgt. Angelico. Well, all the pigeons but one, but MacDougall didn't know that Antonella had spared one for its carrier missions. So, with the new knowledge in hand, MacDougall sends a message poignantly intended for the Germans. And the German commander's reaction is very funny.
Even funnier is that MacDougall and Angaelico watch as the last four pigeons are released and only three of them fly to Nazi headquarters. The other – the last true blue Allied pigeon that Antonella had spared (unbeknownst to MacDougall) flies south to the Allied lines. And the message intended for the Germans' eyes is such good news to the Allies that they press the attack and quickly push the Germans back and take Rome.
This film is just good fun, even if the romance of the Heston and Martinelli characters at the end seems a bit contrived, considering how much and often they were at each other's throats through much of the film. As one other reviewer noted, its best just to disconnect one's brains and sit back to enjoy this film.