FRANKENSTEIN MUST BE DESTROYED is one of the later entries in the long running Hammer Horror Series, which sees Peter Cushing reprising his famous role of the ruthless mad doctor. This is undoubtedly one of the highlights in what remains a very strong series, because the emphasis isn't on scientific apparatus or Universal stylings (as in the slightly disappointing previous two entries, THE EVIL OF FRANKENSTEIN and FRANKENSTEIN CREATED WOMAN). Here, the villain of the piece is Frankenstein himself, and he's never been so ruthless.
The gory, blood-drenched murder scene which opens the film reveals just what a monster the doctor has become, but somehow Cushing still holds it all together and makes his Frankenstein a fresh and spellbinding creation. Watching him upset the local gentry is just as enjoyable as watching him performance his brain experiments. Director Terence Fisher is at his best here, creating a lush and colourful masterpiece loaded with ghoulish delights - the set-piece involving the burst water main is straight out of a Hitchcock film.
The supporting cast are strong indeed, with Simon Ward taking on the apprentice role, and Veronica Carlson a fitting damsel in distress. Freddie Jones gives the best performance as the Creature in any of Hammer's Frankenstein movies, a truly sympathetic portrayal of a man who has quite literally lost his mind. There are a couple of minor problems with this film, namely the tacked-on rape scene (unnecessary) and the sub-plot involving detective Thorley Walters and his sidekick Geoffrey Bayldon, which goes nowhere and seems to have been added in to pad out the running time. Nevertheless this remains a Hammer Horror highlight and a delightfully dark slice of English Gothic.
The gory, blood-drenched murder scene which opens the film reveals just what a monster the doctor has become, but somehow Cushing still holds it all together and makes his Frankenstein a fresh and spellbinding creation. Watching him upset the local gentry is just as enjoyable as watching him performance his brain experiments. Director Terence Fisher is at his best here, creating a lush and colourful masterpiece loaded with ghoulish delights - the set-piece involving the burst water main is straight out of a Hitchcock film.
The supporting cast are strong indeed, with Simon Ward taking on the apprentice role, and Veronica Carlson a fitting damsel in distress. Freddie Jones gives the best performance as the Creature in any of Hammer's Frankenstein movies, a truly sympathetic portrayal of a man who has quite literally lost his mind. There are a couple of minor problems with this film, namely the tacked-on rape scene (unnecessary) and the sub-plot involving detective Thorley Walters and his sidekick Geoffrey Bayldon, which goes nowhere and seems to have been added in to pad out the running time. Nevertheless this remains a Hammer Horror highlight and a delightfully dark slice of English Gothic.