JOHN WICK is a rare example of Hollywood getting things spot-on when it comes to creating the near-perfect action film. JOHN WICK is a relentless, pulse-pounding thriller that has plenty of similarity to the Liam Neeson classic TAKEN, albeit with a more simplistic (and also more emotionally intense) plot line. This is the kind of lean, pared-down film-making that's all about intensity and momentum. It sits well with classic international fare like POINT BLANK, SLEEPLESS NIGHT, MEA CULPA, THE MAN FROM NOWHERE, and THE RAID films.
JOHN WICK isn't a perfect film; some of the dialogue is sloppily, some of the writing is too broad, and occasionally the music is intrusive. However, when it gets things right, as it frequently does, you can forgive all of these minor niggles and sit back and enjoy the ride. The clever decision was made to employ a martial arts expert as director, so the emphasis is on realistic, superbly choreographed action sequences, and they're hard-hitting and plentiful. The nightclub set-piece is the obvious highlight, but nearly all of the action here is spectacular.
Keanu Reeves has been in lots of average or overrated films over the years but this stands as one of his very best, alongside SPEED. His dry, laconic turn is light years ahead of his other recent action flick, MAN OF TAI CHI. The supporting cast is basically unnecessary, but Michael Nyqvist, Willem Dafoe, and Alfie Allen all put in decent turns. In the end, though, JOHN WICK is all about the action, and quite simply it rocks. Bring on the sequel!
JOHN WICK isn't a perfect film; some of the dialogue is sloppily, some of the writing is too broad, and occasionally the music is intrusive. However, when it gets things right, as it frequently does, you can forgive all of these minor niggles and sit back and enjoy the ride. The clever decision was made to employ a martial arts expert as director, so the emphasis is on realistic, superbly choreographed action sequences, and they're hard-hitting and plentiful. The nightclub set-piece is the obvious highlight, but nearly all of the action here is spectacular.
Keanu Reeves has been in lots of average or overrated films over the years but this stands as one of his very best, alongside SPEED. His dry, laconic turn is light years ahead of his other recent action flick, MAN OF TAI CHI. The supporting cast is basically unnecessary, but Michael Nyqvist, Willem Dafoe, and Alfie Allen all put in decent turns. In the end, though, JOHN WICK is all about the action, and quite simply it rocks. Bring on the sequel!