In a career that spanned about 70 years, Kaneto Shindo directed 45 films and wrote 171. That is, 171 of his scripts were turned into films. 171.
This was the last movie he made, a year before he died at age 100. He wrote it, of course. He was 99 years old when he directed this film. He was 99 years old when he directed this film. He was 99 years old when he directed this film. He was 99 years old when he directed this film. He was 99 years old when he directed this film. He was 99 years old when he directed this film.
It tells the story of two bunkmates during WWII. One is being shipped off to the front in Manila and has just received a postcard from his wife. He tells his mate, Matsuyama, that he will not survive, and to return the postcard to his wife, letting her know he received it. Any response he would make would be heavily censored. Out of sheer luck, Matsuyama never seen battle, survives the war, and heads off to return the postcard to his mate's widow. Despite a multitude of tragedies and some serious displays of emotion, this is a lighter, kinder Shindo, one I'm not used to. I'm reminded of Kurosawa's final films, 'Madadayo' and 'Rhapsody in August.' The films have a straightforwardness in style and narrative and pace in common. That's not to say that this is a boring, frivolous film. Not at all -- it is entirely engaging and emotionally involving. 8/10.
This was the last movie he made, a year before he died at age 100. He wrote it, of course. He was 99 years old when he directed this film. He was 99 years old when he directed this film. He was 99 years old when he directed this film. He was 99 years old when he directed this film. He was 99 years old when he directed this film. He was 99 years old when he directed this film.
It tells the story of two bunkmates during WWII. One is being shipped off to the front in Manila and has just received a postcard from his wife. He tells his mate, Matsuyama, that he will not survive, and to return the postcard to his wife, letting her know he received it. Any response he would make would be heavily censored. Out of sheer luck, Matsuyama never seen battle, survives the war, and heads off to return the postcard to his mate's widow. Despite a multitude of tragedies and some serious displays of emotion, this is a lighter, kinder Shindo, one I'm not used to. I'm reminded of Kurosawa's final films, 'Madadayo' and 'Rhapsody in August.' The films have a straightforwardness in style and narrative and pace in common. That's not to say that this is a boring, frivolous film. Not at all -- it is entirely engaging and emotionally involving. 8/10.