10/10
Anthony Quinn in his most realistic performance, maybe his best, as a finished wreck of a boxer.
21 April 2015
Which is your favourite Anthony Quinn film? (100 today) My candidate would be this one, a thorough debunking of the whole boxing business, with noteworthy appearances of the young Cassius Clay, Mickey Rooney and Jackie Gleason as his managers, one human and the other one seemingly corrupt but in fact the only realist, and Julie Harris as his one female friend, while Anthony Quinn as the wreck of a finished and humiliated boxer is one of the strongest characterizations ever made on film in almost unbearably straightforward realism. Note in the beginning and opening scene, that you never see his face until he himself sees it in the mirror. Add to this a fantastic music score by Laurence Rosenthal. The Swedish boxing champion at the time Ingo Johansson wanted every Swede to see this film, but this is not only for boxers. It's a universal study in humiliation, and no one is spared, humiliation is a fact of life, and there is nothing more difficult to handle. The film mercilessly displays all the ingredients, like shame, guilt, treason, failure, hypocrisy and defeat, and the chalice is emptied to the last drop. Still, in all his humiliation, ruin and disgrace, Anthony Quinn's failure of a boxing character in the end still stands on the floor as some kind of a victor by accepting his self-humiliation. It's a grotesque tragedy but an impressing abyssal dive and fall into fathomless humanity with infinite richness in spite of its extreme confinement in the small ugly corrupt world of the gladiator sport of boxing.
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