Instructions Not Included (2013)
A mostly Mexican comedy about a single man who abruptly finds himself raising a baby girl. And things get funny and wild from there, and enchanting. The goofiness that makes you think the movie is actually kind of stupid (or even bad) mellows and sharpens up as it goes and after half an hour there is a different kind of humor and warmth that really works.
Part of the magic here is the two leads—the father and the little girl—are terrific. And they get along in a way that makes the whole movie buzz. There are still a few corny jokes, but mostly the humor is made up of the funny feelgood things that come along in life.
Amazingly this is Eugenio Derbez's first stab at a feature movie, after years of Mexican television. In fact, the first half hour is exactly like Mexican television. And we all grow out of it together, which is a relief and a sign that there might be more good things to come from this man. (This is true of Mexican directors in general, take note of the last two winners of Best Picture, 2013 and 2014, along with their cinematographer.)
So if you expect something canned or obvious here, you'll be surprised. What you do get above all is a sincere, human drama that is mostly airy and fresh. There are some silly clichés—characters who play types and only the thinnest of those types—but we are lucky that almost all of the movie includes the leading man and the little girl. Watch this and make sure you stick it out past the establishing scenes that build up for a good half hour.
A mostly Mexican comedy about a single man who abruptly finds himself raising a baby girl. And things get funny and wild from there, and enchanting. The goofiness that makes you think the movie is actually kind of stupid (or even bad) mellows and sharpens up as it goes and after half an hour there is a different kind of humor and warmth that really works.
Part of the magic here is the two leads—the father and the little girl—are terrific. And they get along in a way that makes the whole movie buzz. There are still a few corny jokes, but mostly the humor is made up of the funny feelgood things that come along in life.
Amazingly this is Eugenio Derbez's first stab at a feature movie, after years of Mexican television. In fact, the first half hour is exactly like Mexican television. And we all grow out of it together, which is a relief and a sign that there might be more good things to come from this man. (This is true of Mexican directors in general, take note of the last two winners of Best Picture, 2013 and 2014, along with their cinematographer.)
So if you expect something canned or obvious here, you'll be surprised. What you do get above all is a sincere, human drama that is mostly airy and fresh. There are some silly clichés—characters who play types and only the thinnest of those types—but we are lucky that almost all of the movie includes the leading man and the little girl. Watch this and make sure you stick it out past the establishing scenes that build up for a good half hour.