Sappy? Yeah, I guess at times
but this also mostly earns its big heart, and treats early teens with more far dignity and insight than most films.
Lucy Deakins is terrific as an intelligent, thoughtful 14 year old, who slowly grows to care for the autistic boy next door. He doesn't speak, but dreams only of flying away, a condition brought on by the deaths of his parents in a plane crash years before. Now he's in the care of an alcoholic uncle (the always wonderful Fred Gwynne), and the powers that be think he might be better off being institutionalized.
Almost all the acting is top notch, which is crucial in this character based story. Jay Underwood walks various fine lines as the titular boy, named Eric. By turns mysterious, locked in, charming he seems believable as an emotionally isolated adolescent as well as a possible source of magic. Colleen Dewhurst doesn't have a lot of screen time, but makes something rich and real out of a concerned teacher who doesn't want to see Eric locked away, knowing it will kill his spirit. And Bonnie Bedelia makes a touching warm and understanding widowed mom.
There are some scenes where the comic relief is more than a little forced, and a sub-plot about a little brother taking on neighborhood bullies seems grafted on from a far more Disney-ish film. But this Capra-esque gentle, bittersweet fantasy is a great 1980s film for tweens even today, and not a bad one for adults as well.
Lucy Deakins is terrific as an intelligent, thoughtful 14 year old, who slowly grows to care for the autistic boy next door. He doesn't speak, but dreams only of flying away, a condition brought on by the deaths of his parents in a plane crash years before. Now he's in the care of an alcoholic uncle (the always wonderful Fred Gwynne), and the powers that be think he might be better off being institutionalized.
Almost all the acting is top notch, which is crucial in this character based story. Jay Underwood walks various fine lines as the titular boy, named Eric. By turns mysterious, locked in, charming he seems believable as an emotionally isolated adolescent as well as a possible source of magic. Colleen Dewhurst doesn't have a lot of screen time, but makes something rich and real out of a concerned teacher who doesn't want to see Eric locked away, knowing it will kill his spirit. And Bonnie Bedelia makes a touching warm and understanding widowed mom.
There are some scenes where the comic relief is more than a little forced, and a sub-plot about a little brother taking on neighborhood bullies seems grafted on from a far more Disney-ish film. But this Capra-esque gentle, bittersweet fantasy is a great 1980s film for tweens even today, and not a bad one for adults as well.