Although Jodie Foster has won two Oscars in her career I think her best work was done in Contact, a film where the only recognition it received was a nomination for Best Sound. She also never did a more serious film about a more serious topic. Are we in fact the only life there is in this vast universe and how do we find out.
As a scientist, something she wanted to be all her life, Foster is determined to get answers in the best way she knows, build the biggest radio telescope there is and throw out a few signals. Someone out in the great beyond will answer. Foster gets an answer.
What I love about Contact is that the gamut of human reactions to the possibility of life is dealt with in this film. It ranges from the multi-billionaire who wants his own life extended John Hurt, the geopolitician who is interested in power James Woods, the sincerely religious men of faith who want to see how God fits into the scheme of things Matthew McConaughey, and even the religious terrorist who fears that a mountain of man made dogma that he's based his life on will be washed away Jake Busey. Busey's part is extremely relevant, we have way too many of those in the world and strategically placed they can cause catastrophe.
Foster gets a blueprint for a space time travel machine, warp drive the likes of which James T. Kirk only wished he had. It goes horribly wrong the first time, Foster takes it herself for a second try.
Mention should also go to David Morse who plays Foster's father, first in scenes with young Jena Malone who was a science prodigy as a kid and later Foster during her 'journey' gets to talk to Morse again. Was it real or a hallucination. His scenes are the highlight of the film for me.
Contact takes no sides in the end, it simply takes the position that in terms of the universe humankind is taking baby steps. If we are really the only life in the universe it seems like an awful waste of space.
The special effects are fine, the sound was considered Academy worthy. So much more of Contact is, most especially the performances of Jodie Foster and her supporting cast.
As a scientist, something she wanted to be all her life, Foster is determined to get answers in the best way she knows, build the biggest radio telescope there is and throw out a few signals. Someone out in the great beyond will answer. Foster gets an answer.
What I love about Contact is that the gamut of human reactions to the possibility of life is dealt with in this film. It ranges from the multi-billionaire who wants his own life extended John Hurt, the geopolitician who is interested in power James Woods, the sincerely religious men of faith who want to see how God fits into the scheme of things Matthew McConaughey, and even the religious terrorist who fears that a mountain of man made dogma that he's based his life on will be washed away Jake Busey. Busey's part is extremely relevant, we have way too many of those in the world and strategically placed they can cause catastrophe.
Foster gets a blueprint for a space time travel machine, warp drive the likes of which James T. Kirk only wished he had. It goes horribly wrong the first time, Foster takes it herself for a second try.
Mention should also go to David Morse who plays Foster's father, first in scenes with young Jena Malone who was a science prodigy as a kid and later Foster during her 'journey' gets to talk to Morse again. Was it real or a hallucination. His scenes are the highlight of the film for me.
Contact takes no sides in the end, it simply takes the position that in terms of the universe humankind is taking baby steps. If we are really the only life in the universe it seems like an awful waste of space.
The special effects are fine, the sound was considered Academy worthy. So much more of Contact is, most especially the performances of Jodie Foster and her supporting cast.