4/10
The downside of success...
25 August 2014
Warning: Spoilers
With the original, so-so Inbetweeners movie generating surprisingly high box office, a sequel was inevitable. Sadly it's a sequel that's made by people too in love with the success of the first.

Almost written to order, we get by-the-numbers gross out gags, the now- tedious cameos from the parents (how many times can you laugh at Will's mum being desired, or the 1000th "Neil's dad is gay" gag?) and the total absence of any genuine characterisation whatsoever.

Most importantly, there's no realism in the film. Neil was always slow, but he's a human cartoon here, and the Australian Uncle is just Jay's dad with a different accent. Everything from the plot, to the performances and motivation is phoned in and xeroxed from previous glories.

The likable television series, while perhaps unlikely to be described as "sophisticated", had a good-natured heart to it, the idiocy and inadequacy of the leads the joke. Here their rampant misogyny is the joke itself, including Neil taking advantage of a woman under the influence of cannabis. Cannabis was a plot point of an entire episode of the series, of course, but here it's casually shown as something Simon smokes, while with Neil's reaction we're called upon to laugh at a rape joke. I thought such things had died out of cinemas in the 1980s. Though the final joke being a routine about transgender might also showcase the somewhat antiquated, mean-spirited tone.

The TV show coasted by on a nostalgic feeling... the 1980s songs in the end credits, the feelings of first love, school discos, etc. It also contained leads who were flawed but ultimately decent human beings. The Inbetweeners pictured in this 2014 movie aren't particularly likable individuals, and the women involved are just ciphers.

A sad end to a great TV series, a series that tried to break new ground each year. The movies do nothing of the sort, content to recreate past glories. Other than the dying scene, there's perhaps little that's new in this film, the remainder just a tired, uninspired reheating of old jokes, dumbed down to the lowest common denominator of humour.
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