Cold In July marks the fourth and most mature feature for director Jim Mickle, bringing electric performances and palpable suspense to an otherwise unoriginal premise. What sets this film apart from other films like it, such as Cape Fear, is the performances. Michael C. Hall gives one hell of a performance, letting the audience see a vastly different side of him. He generates a leading man quality in this film that, in my opinion, he has never done before. From the straight-out-of-the-80s mullet, to the tight Wrangler jeans, Hall fits the mold of an ordinary man from small town Texas in the 80s and does so very subtly without us ever thinking to ourselves that this man was Dexter. As much as I liked Hall's performance in this film, Sam Shepard and Don Johnson steal the film. Without giving too much away, Shepard and Johnson are two of the seediest dirty characters not in a Rob Zombie film. Each scene between Shepard and Hall generates a palpable tension that would be difficult to do with any other actors in their parts, respectfully. The story is interesting from jump street, its a familiar type of story but it has so many great twists and turns that you can't help but fall in love with it. The score here is also immersing. It rings back to Blood Simple, or John Carpenter's Halloween. It really throws us right into 1989 and does so with such grace that it really needs some attention. Jim Mickle proves here that he is a director to be reckoned with. As a fan of his previous films, Stakeland and We Are What We Are, I was excited to see this film. However, walking out of Cold In July made me ecstatic to see what he does next. Overall, Cold In July is brutal, unrelenting backwoods mayhem with great performances and plot twists galore. It definitely lives up to the hype and I highly recommend it.
Review of Cold in July
