Set on the General Election night of 1979, Barrie Keeffe's filmed play takes us back to a world where suspects could be held under the controversial 'sus' law - in other words, be held for questioning without being charged for long periods at a time. The production deliberately contrasts Margaret Thatcher's election speech, with its sycophantic thanks to the police for their efforts in sustaining public order, and the institutionalized racism of the two officers (Ralph Brown, Rafe Spall) questioning an African-Caribbean man (Clint Dyer) about the death of his wife. Set in a claustrophobic interview-room, interspersed with graphic shots of the dead woman, SUS is at times very difficult to watch, especially when the officers physically abuse the suspect. They are not particularly interested in obtaining a conviction, but rather to (ab)use the suspect as an outlet for their own racist resentments that Britain has apparently been overrun by immigrants, and ruled by governments dedicated to the cause of "human rights," while neglecting the rights of the indigenous population. What renders the film more shocking is to reflect on how little has changed in the 35 years since Thatcher came to power. Even after the much- publicized "reforms" of the police in the wake of the Stephen Lawrence case, there are still officers within the force who harbor equally racist sentiments, while the success of Nigel Farage's UK Independence Party (UKIP) in recent elections reveals the extent to which the British people dislike what they perceive as the so-called "malign" influence of immigrants. Thirty-five years ago it was the African-Caribbeans; now it is the Eastern and Southern Europeans. SUS stands as an object lesson to show how prevailing attitudes seldom change, despite the protestations of successive governments to the contrary.
Review of Sus
