Veteran actors James Woods and Steve Railsback made their film debuts in this not uninteresting, obviously low budget drama, made in a very stark and simple way by director Elia Kazan. Cited as an early effort to tell a serious Vietnam War related story, it's a fictional follow-up to the tale filmed 17 years later as "Casualties of War" (the latter was based on a true story). That said, when you know what the visitors of the title are capable of, you can feel that tension in the air. The deliberate pacing is likely to have less patient viewers fidgeting in their seats. While this viewer wouldn't consider this "deplorable" like Leonard Maltin does, he admits that there's a very grim quality to this material that hangs over everything. Characters' resentments towards each other emerge, but things never get completely ugly until the final act.
Basically, a former soldier in Vietnam, Bill Schmidt (Woods) lives in a remote location with Martha (Patricia Joyce), the mother of his child, and Harry (Patrick McVey), Marthas' father who toils away as an author. One wintry Sunday, two old comrades of Bills' show up, Mike Nickerson (Railsback), and Tony Rodrigues (Chico Martinez). Bill is uneasy to see them rather than happy, and we find out that the two of them had raped and murdered a Vietnamese girl - whom they had chosen to believe was a Viet Cong - and Bill had pointed the finger at them, leading to their court-martial. Tony tells Bill that he wants to forgive and forget, but we're not sure of this. Mike and Tony endear themselves to Harry, a gruff & macho WWII veteran who feels nothing but contempt for Bill, whom he sees as a weakling.
It may be that "The Visitors" is one of those films that engenders personal reactions: viewers may either appreciate what Kazan tries to do, or be appalled at the darkness on display. Certainly Kazan doesn't promise his audience a conclusive resolution (you wonder what will come next for the characters after the credits end) or a happy one. The mostly rough, grainy look does work for the material, and use of music is sparing. With only five main characters, there is an intimate feel to everything. The performances are solid across the board, with the young Railsback already showing that incredible intensity that became his trademark and served him well a few years later in the 'Helter Skelter' miniseries.
Film buffs might want to give this a chance if just for curiosity's sake.
Six out of 10.
Basically, a former soldier in Vietnam, Bill Schmidt (Woods) lives in a remote location with Martha (Patricia Joyce), the mother of his child, and Harry (Patrick McVey), Marthas' father who toils away as an author. One wintry Sunday, two old comrades of Bills' show up, Mike Nickerson (Railsback), and Tony Rodrigues (Chico Martinez). Bill is uneasy to see them rather than happy, and we find out that the two of them had raped and murdered a Vietnamese girl - whom they had chosen to believe was a Viet Cong - and Bill had pointed the finger at them, leading to their court-martial. Tony tells Bill that he wants to forgive and forget, but we're not sure of this. Mike and Tony endear themselves to Harry, a gruff & macho WWII veteran who feels nothing but contempt for Bill, whom he sees as a weakling.
It may be that "The Visitors" is one of those films that engenders personal reactions: viewers may either appreciate what Kazan tries to do, or be appalled at the darkness on display. Certainly Kazan doesn't promise his audience a conclusive resolution (you wonder what will come next for the characters after the credits end) or a happy one. The mostly rough, grainy look does work for the material, and use of music is sparing. With only five main characters, there is an intimate feel to everything. The performances are solid across the board, with the young Railsback already showing that incredible intensity that became his trademark and served him well a few years later in the 'Helter Skelter' miniseries.
Film buffs might want to give this a chance if just for curiosity's sake.
Six out of 10.