Bruce Geller made a huge impact with Mission Impossible but this film lacks that show's drive and innovation. Painstakingly plotted and performed it nevertheless drags in places and it's no surprise it was his only feature film.
Pigeon looks out of his depth throughout and fails to spark any rapport; Coburn brings his usual cool reserve and magnetism, Sarazzin improves as the film goes on. The revelation is Trish Van Devere who plays the love interest and conscience of the film with real style. As well as looking like a cross between Debbie Reynolds and one of Charlie's Angels (both these things being magic) Devere brings an engaging lightness of touch that overshadows Coburn's own, and keeps the viewer just about caring how things turn out.
Pigeon looks out of his depth throughout and fails to spark any rapport; Coburn brings his usual cool reserve and magnetism, Sarazzin improves as the film goes on. The revelation is Trish Van Devere who plays the love interest and conscience of the film with real style. As well as looking like a cross between Debbie Reynolds and one of Charlie's Angels (both these things being magic) Devere brings an engaging lightness of touch that overshadows Coburn's own, and keeps the viewer just about caring how things turn out.