Back in the 1930s and 40s, a popular genre film was the womens film, quickly made but well-crafted romances with Carole Lombard, Kay Francis, Joan Crawford, or Bette Davis, films in which the lead character struggled with her values and sometimes her career in order to find, at last, True Love.
This film is not too far removed in spirit, intelligently updated, no doubt, but still basically and essentially a Romance, even if it does confront a modern dragon in the guise of fundamentalist religion. I never found that watching this film was dull, as the plot is compelling even if one suspects the ending--the actors are appealingly fresh and attractive, the villains far too easy to boo, but veteran Jacqueline Bisset turns in a warm tribute in the mode of Lauren Bacall school as a wise restaurateur, and there are other cameos that are a delight;
For a young person struggling with coming out of the closet, this film might be a joy and a revelation; for others, less so. It is film crafted with affection at a time when there is massive and social change and certainly reflects how various liberties can clash in a multi-layered culture.
This film is not too far removed in spirit, intelligently updated, no doubt, but still basically and essentially a Romance, even if it does confront a modern dragon in the guise of fundamentalist religion. I never found that watching this film was dull, as the plot is compelling even if one suspects the ending--the actors are appealingly fresh and attractive, the villains far too easy to boo, but veteran Jacqueline Bisset turns in a warm tribute in the mode of Lauren Bacall school as a wise restaurateur, and there are other cameos that are a delight;
For a young person struggling with coming out of the closet, this film might be a joy and a revelation; for others, less so. It is film crafted with affection at a time when there is massive and social change and certainly reflects how various liberties can clash in a multi-layered culture.