"Quartet" is a fitting homage to honor those aging artists of our not too distant past who are reduced to spending their final days in a residence for people in their present situation, not being totally incapacitated, but needing extra help managing their lives. Beecham House is a special place, something most of the present dwellers can appreciate and a sharp contrast to some other such institutions catering to the old. The arrival of a legend, soprano Jean Horton, brings back memories to Reggie, her former husband. After all, they have not seen each other in many years. A new drama is about to unfold in their famous split, now in the past.
Cissy Robson and Will Bond, two other notorious opera stars have another idea. They conspire to bring Jane and Reggie back together. Their dilemma is how to go about it, knowing well the animosity and vitriol between the former stars. The idea is to interest Jane into singing again for the upcoming Beecham House gala, which everybody hoe will bring a new infusion of badly needed funds.
Directed by Dustin Hoffman with style, this elegant production does not promise any surprises, but it is entertaining and carefree fun watching the four principals in action. Based on the play by Ronald Harwood, who also adapted it for the screen, this film will resonate with older audiences. Mr. Hoffman had the clever idea of uniting Maggie Smith, Tom Courtenay, Pauline Collins and Billy Connelly to lend their talents to a film that is fun, as well as a pleasant time in the theater.
John De Borman excellent cinematography enhances the film. The musical score by Dario Marianelli blends well with the classical moments of music, comedy and opera heard in the background. Mr. Hoffman shows to be a natural for direction. He pays tribute to many of the great English performers of a bygone era.
Cissy Robson and Will Bond, two other notorious opera stars have another idea. They conspire to bring Jane and Reggie back together. Their dilemma is how to go about it, knowing well the animosity and vitriol between the former stars. The idea is to interest Jane into singing again for the upcoming Beecham House gala, which everybody hoe will bring a new infusion of badly needed funds.
Directed by Dustin Hoffman with style, this elegant production does not promise any surprises, but it is entertaining and carefree fun watching the four principals in action. Based on the play by Ronald Harwood, who also adapted it for the screen, this film will resonate with older audiences. Mr. Hoffman had the clever idea of uniting Maggie Smith, Tom Courtenay, Pauline Collins and Billy Connelly to lend their talents to a film that is fun, as well as a pleasant time in the theater.
John De Borman excellent cinematography enhances the film. The musical score by Dario Marianelli blends well with the classical moments of music, comedy and opera heard in the background. Mr. Hoffman shows to be a natural for direction. He pays tribute to many of the great English performers of a bygone era.