The Silence (1963)
10/10
Early Bergman still packs a powerful punch
13 November 2012
The Silence is going to be an acquired taste- true of a lot of Ingmar Bergman's films- but if you know what to expect then I think you will be rewarded. I can understand definitely why some may not like The Silence, the plot is light, has moments of (purposeful) obscurity and is quite detached emotionally. But I wouldn't immediately go and "objectively" hate on it because it didn't entertain you, it is clear from the title, the plot summary and also from Bergman's other films that The Silence wasn't going to be that kind of film. Bergman's films are more of the thoughtful and compellingly real kind, and The Silence is exactly that, and of Bergman's early work and overall it is one of the better examples of doing that as well. Quite possibly my favourite of his "religious" trilogy, and all three are wonderful films in their own right. As ever it is superbly directed, and looks incredible with Sven Nykvist's haunting cinematography adding much to the tonal bleakness of the film. Apart from the odd moment where music is played, there is no score here which made the increasingly deafening silence even more effective. The dialogue is thought-provoking and intelligent, and while bleak and obscure the atmosphere in The Silence is largely symbolic and also enigmatic and very powerful. The themes of loneliness and objective desire with a want of emotional warmth and tenderness are thoroughly explored here and does resonate with you. Bergman's films are known for how real the characters are, and The Silence is no exception. Likable, no they aren't, but not all characters have to be to have the realism that the ones seen in Bergman's films do. I can't fault the acting either, Ingrid Thulin is just outstanding in the lead role. Overall, still packs a powerful touch but isn't going to be for everyone. 10/10 Bethany Cox
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