Fright Night is directed by Craig Gillespie and written by Tom Holland. It stars Anton Yelchin, Colin Farrell, David Tennant, Christopher Mintz-Plasse, Imogen Poots and Toni Collette. Music is by Ramin Djawadi and cinematography by Javier Aguirresarobe. Film is a remake of the 1985 film of the same name, also written by Tom Holland, it sees Yelchin as Charley Brewster, a teenager living in a suburb of Las Vegas who finds the new handsome neighbour, Jerry Dandridge (Farrell) is actually a blood sucking vampire. With nobody believing him and the vampire homing in on his mother and girlfriend, Charley turns to enigmatic playboy magician Peter Vincent (Tennant) for help.
Ah remakes, a word that often spells trouble in film fan circles, especially when populated by the horror faithful. So no surprise, then, that Fright Night has been met with much division whilst hardly making waves at the box office (it made a small profit when various costs were taken off the gross). Yet it did receive some favourable reviews in critic's offices, where like myself they feel that this more than lives up to the original, which was fun and scary but hardly what you call a horror comedy masterpiece. I often have my rose tinted spectacles on for the likes of the 85 Fright Night, but whether we choose to accept it or not, they were real fun films back then, but that was because they were viewed through younger eyes. Now when viewing in the haze of nostalgia, it's not hard to see why some modern film makers feel a remake is possible and can work; Fright Night is one such case.
This is no masterpiece either, it drags for the first third and the CG malarkey really doesn't offer anything particularly worthy to the film's substance. In fact the transformation sequences are quite frankly weak. You don't have to be a nostalgist to lament the absence of a Bottin or Baker. But for all its little missteps, it still rounds out as great fun and scores high in the last third with the well blended mix of comedy, suspense and terror. The dialogue, too, is very enjoyable, with many lines bringing the chuckles. The casting is very good, particularly with the core three characters of Charley, Jerry and Peter. It's great to see Farrell having such fun, free of emotional character restraints, he just lets rip with a sexy and vengeful performance. Yelchin is just so likable, a rising blockbuster star after turns in Star Trek and Terminator Salvation (he would sadly be killed in a freak accident in 2016), here he crafts top work as Charley shifts from geeky teen into babe magnet bravado. While Tennant slots in and steals the movie with a glorious excess of profanity, sexuality and witticisms that befit the nature of the piece.
Next up Farrell went serious and threatened to run the wrath of sci-fi fans with his star turn in the Total Recall remake. Here he comes out of this horror remake, like the film in general, with good credit. So those 80s teens like me should shake off the dust and strap themselves in to a seat for this particular ride. It may not surpass the original, but it is every bit its modern equal, and that is something that newcomers to the Fright Night world should hopefully rejoice in. 7/10
Ah remakes, a word that often spells trouble in film fan circles, especially when populated by the horror faithful. So no surprise, then, that Fright Night has been met with much division whilst hardly making waves at the box office (it made a small profit when various costs were taken off the gross). Yet it did receive some favourable reviews in critic's offices, where like myself they feel that this more than lives up to the original, which was fun and scary but hardly what you call a horror comedy masterpiece. I often have my rose tinted spectacles on for the likes of the 85 Fright Night, but whether we choose to accept it or not, they were real fun films back then, but that was because they were viewed through younger eyes. Now when viewing in the haze of nostalgia, it's not hard to see why some modern film makers feel a remake is possible and can work; Fright Night is one such case.
This is no masterpiece either, it drags for the first third and the CG malarkey really doesn't offer anything particularly worthy to the film's substance. In fact the transformation sequences are quite frankly weak. You don't have to be a nostalgist to lament the absence of a Bottin or Baker. But for all its little missteps, it still rounds out as great fun and scores high in the last third with the well blended mix of comedy, suspense and terror. The dialogue, too, is very enjoyable, with many lines bringing the chuckles. The casting is very good, particularly with the core three characters of Charley, Jerry and Peter. It's great to see Farrell having such fun, free of emotional character restraints, he just lets rip with a sexy and vengeful performance. Yelchin is just so likable, a rising blockbuster star after turns in Star Trek and Terminator Salvation (he would sadly be killed in a freak accident in 2016), here he crafts top work as Charley shifts from geeky teen into babe magnet bravado. While Tennant slots in and steals the movie with a glorious excess of profanity, sexuality and witticisms that befit the nature of the piece.
Next up Farrell went serious and threatened to run the wrath of sci-fi fans with his star turn in the Total Recall remake. Here he comes out of this horror remake, like the film in general, with good credit. So those 80s teens like me should shake off the dust and strap themselves in to a seat for this particular ride. It may not surpass the original, but it is every bit its modern equal, and that is something that newcomers to the Fright Night world should hopefully rejoice in. 7/10