2/10
An unsuccessful venture from a director who hasn't worked since.
27 May 2012
Overacted and under-directed, you won't learn anything new (or at all) about Jackie Susann. Brought to you from the same director as Striptease, the movie people confuse with Showgirls, this schlockfest is incredible for its ability to wring the worst performances from a cast of talented actors. Nathan Lane is forced to narrate large portions of the film since the scripted action fails to tell much of a story, but even that can't compensate for the lack of a plot. Yes, it's true: there is no plot. Susann's life was more complicated, messy, and salacious than this thing would otherwise convey, but even Lane's narration of unimportant tangents doesn't come close to rescuing a story so neutered as to be incomprehensible. The camera work, set design, and lighting give a tightly-produced feel that distances the action from any sense of place in reality; scenes shot in Central Park look as if there were actually filmed on a sound stage decorated to look like Central Park. That's quite an achievement.
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