In the fall of 2010, I spent a short time on the set of an independent film called "The Boarder," which was being shot in rural Nebraska. And one thing that I did learn while mingling amongst the technicians and actors was that even in something as aesthetically-driven as a motion picture, and with something passionate as a subject matter, it is still entirely possible for things to sour up and become impersonal. Movie-making is not easy, and the stress, I'm afraid, can wear out the artistic drive in some of us, especially if it's an early endeavor. That very well may have been the case, I'm afraid to say, with Adrian Vitoria's "Age of Heroes."
Again, it's hard to imagine a film based on a true story to be passionless and impersonal, but that is the case here. "Age of Heroes" is loosely based on a World War II British commando unit's mission to garner Germany intelligence. The particular mission was drawn up by Ian Fleming, who would later go on to write the James Bond novel series. So a story about men who risked and gave their lives, even in a shoestring budget film like this, is hard to imagine as soulless. But it is.
The way this movie is filmed, acted, scored, and executed, it's as if the filmmakers simply pulled the story out of a box full of potential stories and decided to roll along with it. Because it was their job, not because they particularly wanted to. Filming the battle scenes in this movie must have been very difficult, and unfortunately, the stress the directors and technicians had on them is apparent. It can be felt, and as a result, the scenes, meant to be white-hot, have a sort of staged, phony feeling to them.
There are worthy actors in the movie, headed by Sean Bean, but not one of them as a real part to act. What little personality they have is drawn straight out of previous war pictures. The key example is a tough commando sergeant, played with zest by William Houston; really just a pale imitation of the much-more-impressive gunnery sergeant from Stanley Kubrick's "Full Metal Jacket" back in 1987.
If the film can be redeemed, it is in that it does not appear to aim particularly high. It doesn't have a big goal, so it doesn't accomplish much, and the failure isn't quite as compounding as it otherwise might have been. And a brisk 94 minutes, "Age of Heroes" was already over by the time I was really starting to grow bored.
Again, it's hard to imagine a film based on a true story to be passionless and impersonal, but that is the case here. "Age of Heroes" is loosely based on a World War II British commando unit's mission to garner Germany intelligence. The particular mission was drawn up by Ian Fleming, who would later go on to write the James Bond novel series. So a story about men who risked and gave their lives, even in a shoestring budget film like this, is hard to imagine as soulless. But it is.
The way this movie is filmed, acted, scored, and executed, it's as if the filmmakers simply pulled the story out of a box full of potential stories and decided to roll along with it. Because it was their job, not because they particularly wanted to. Filming the battle scenes in this movie must have been very difficult, and unfortunately, the stress the directors and technicians had on them is apparent. It can be felt, and as a result, the scenes, meant to be white-hot, have a sort of staged, phony feeling to them.
There are worthy actors in the movie, headed by Sean Bean, but not one of them as a real part to act. What little personality they have is drawn straight out of previous war pictures. The key example is a tough commando sergeant, played with zest by William Houston; really just a pale imitation of the much-more-impressive gunnery sergeant from Stanley Kubrick's "Full Metal Jacket" back in 1987.
If the film can be redeemed, it is in that it does not appear to aim particularly high. It doesn't have a big goal, so it doesn't accomplish much, and the failure isn't quite as compounding as it otherwise might have been. And a brisk 94 minutes, "Age of Heroes" was already over by the time I was really starting to grow bored.