I've been anticipating The Way for about two and a half years for the wrong reason - I wanted to see Emilio Estevez back on the screen. The last formal film he appeared in was Rated X with his brother Charlie Sheen in 2000. Finally we see Emilio's talents not only behind the camera, but in writing as well. He handles the screenplay, the directing, and the producing in this beautifully crafted film.
You can tell just from the close-to-home feel of the character The Way is something sentimental and meaningful to both Martin Sheen and Emilio Estevez. Both real life father and son actors have been taking most of their time in 2011 and using it to promote a film with heart and soul, but will likely be ignored when in theaters because of its very limited release and its minimal marketing.
The story focuses on Tom (Sheen), an American doctor, who goes to France after hearing his adventure-seeking son Daniel (Estevez) has died in a storm while hiking the Camino de Santiago - a famed Christian route many walk on to find faith or go to Cathedral of Santiago de Compostela at the end of the five-hundred mile route.
After arriving in France to pick up Daniel's ashes, Tom makes a split-second decision that he will follow hike the path of his son, while spreading his ashes throughout the trail. He meets up with many different people with many different stories. They are Joost (Wageningen), a Dutchman who is hiking the trail for exercise purposes, Sarah (Unger) who is trying to quit smoking, and "Jack from Ireland" (Nesbitt) who is suffering from writer's block and is trying to collect information about fellow hikers and their separate journeys.
The Way has a number of strange qualities - for one it has noticeable parallels to the 1939 classic The Wizard of Oz. And two, it is odd for Martin Sheen and Emilio Estevez, two actors that practice in strict Catholicism, to focus on a film that leads to a Christian Cathedral. Whatever the reason behind it, the story is pitch-perfect and Martin Sheen may have just given one of the best performances of his career.
The tears come and go in The Way, but so do the shocker scenes like when the topic of abortion is briefly mentioned. It is rare for such a film to bring up a controversial topic, which is why The Way deserves a load of credit.
The plot isn't too deep, but the story is truly moving. The acting by the four characters is fantastic, and like any road movie, it is more about the characters getting to find their inner-selves rather than walking from point a to point b. Only here - it is more welcomed because of the fact that is what the Camino de Santiago is all about.
Starring: Martin Sheen, Deborah Kara Unger, James Nesbitt, Yorick van Wageningen, and Emilio Estevez. Directed by: Emilio Estevez.
You can tell just from the close-to-home feel of the character The Way is something sentimental and meaningful to both Martin Sheen and Emilio Estevez. Both real life father and son actors have been taking most of their time in 2011 and using it to promote a film with heart and soul, but will likely be ignored when in theaters because of its very limited release and its minimal marketing.
The story focuses on Tom (Sheen), an American doctor, who goes to France after hearing his adventure-seeking son Daniel (Estevez) has died in a storm while hiking the Camino de Santiago - a famed Christian route many walk on to find faith or go to Cathedral of Santiago de Compostela at the end of the five-hundred mile route.
After arriving in France to pick up Daniel's ashes, Tom makes a split-second decision that he will follow hike the path of his son, while spreading his ashes throughout the trail. He meets up with many different people with many different stories. They are Joost (Wageningen), a Dutchman who is hiking the trail for exercise purposes, Sarah (Unger) who is trying to quit smoking, and "Jack from Ireland" (Nesbitt) who is suffering from writer's block and is trying to collect information about fellow hikers and their separate journeys.
The Way has a number of strange qualities - for one it has noticeable parallels to the 1939 classic The Wizard of Oz. And two, it is odd for Martin Sheen and Emilio Estevez, two actors that practice in strict Catholicism, to focus on a film that leads to a Christian Cathedral. Whatever the reason behind it, the story is pitch-perfect and Martin Sheen may have just given one of the best performances of his career.
The tears come and go in The Way, but so do the shocker scenes like when the topic of abortion is briefly mentioned. It is rare for such a film to bring up a controversial topic, which is why The Way deserves a load of credit.
The plot isn't too deep, but the story is truly moving. The acting by the four characters is fantastic, and like any road movie, it is more about the characters getting to find their inner-selves rather than walking from point a to point b. Only here - it is more welcomed because of the fact that is what the Camino de Santiago is all about.
Starring: Martin Sheen, Deborah Kara Unger, James Nesbitt, Yorick van Wageningen, and Emilio Estevez. Directed by: Emilio Estevez.