I'm surprised that this film worked as well as it did, and that it has been received as well as it has here. I read Howl about 5 years after Ginsberg wrote it, when I was in high school, and, like it or not, it became part of my thinking in the fifty years since then. Still in high school, I could quote passages from the poem at my friends, who would follow up with the next passage, etc. Boooring. But if you had told me that a film would be made about it, with a script constructed of trial transcripts and interviews in the public record, alternating with a recreation of Ginsberg's first public (paying-public; there was ONE previous reading of the full poem) reading of the poem, I wouldn't have expected much. And I would have been wrong. It's well-done and well-acted, and no excuses are made for anything about Ginsberg or his work. I was dismayed at first to see the poem interpreted into animation, but the filmmakers were savvy enough to produce the animation in the style of the times, i.e., 1955, when Disney's Fantasia was still the state of the art, and the animation in Howl could have come out of the Night on Bald Mountain section. In the end, it worked, I think, by keeping the viewer visually in the world of the poem itself, rather than in the biographical material about Ginsberg or the trial and the litigants. So if you want to watch a movie about a poem, and the poet and his friends, but mainly about the poem, this one does a pretty good job.
