In a revealing and playful mood, filmmaker Agnes Varda narrates her own filmed autobiography in The Beaches of Agnes. The film begins with Varda, now 82, setting up mirrors on the beach with the sounds of one of her mother's favorite works, Schubert's Unfinished Symphony in the background Though she asserts that "Today, I'm playing a little old lady, talkative and plump," she looks anything like a little old lady. The film re-creates her life with childhood memories that take her back to homes she knew as a child in Brussels and the city of Sete where she made her first film at the age of 26.
The film is not a dry documentary, filled with reminiscences of people we never heard of. It is a work of art in itself, a celebration not only of her life, but of all life. Along the way, Varda takes us to Los Angeles (one of her favorite cities in which she lived) where she talks about and shows photos of her former husband Jacques Demy, who she announces died of AIDS in 1990, Jane Birkin, Chris Marker (dressed as a cartoon cat) and even poet, singer Jim Morrison. Varda began as a photographer and we see an example of her photos from a long time ago. While the film documents Varda's films beginning with her first Le Pointe Curé in 1956 to the present day and the first appearances on film of Gerald Depardieu, Phillipe Noiret, and Harrison Ford, she also discusses in detail and shows excerpts from her most popular films including Cléo from 5 to 7, Le Bonheur, Vagabond, The Gleaners and I, and her documentary tributes to her husband.
Rather than an egoists attempt to enhance a reputation with big events in which she participated, the film looks at small things like the uniform she had to wear in Vichy France and a scene at an outdoor flea market where the director finds cardboard cutouts of herself and other filmmakers with their works listed on the back. But there is much more. With actors dramatizing important memories from her life, The Beaches of Agnes is filled with the people, including her two grown children, places and events, including her trips to Cuba and China that contributed to her personal growth and made her the lively and vibrant person she is today. She closes the documentary by saying, "I am alive, and I remember." While we are still alive, we will remember her.
The film is not a dry documentary, filled with reminiscences of people we never heard of. It is a work of art in itself, a celebration not only of her life, but of all life. Along the way, Varda takes us to Los Angeles (one of her favorite cities in which she lived) where she talks about and shows photos of her former husband Jacques Demy, who she announces died of AIDS in 1990, Jane Birkin, Chris Marker (dressed as a cartoon cat) and even poet, singer Jim Morrison. Varda began as a photographer and we see an example of her photos from a long time ago. While the film documents Varda's films beginning with her first Le Pointe Curé in 1956 to the present day and the first appearances on film of Gerald Depardieu, Phillipe Noiret, and Harrison Ford, she also discusses in detail and shows excerpts from her most popular films including Cléo from 5 to 7, Le Bonheur, Vagabond, The Gleaners and I, and her documentary tributes to her husband.
Rather than an egoists attempt to enhance a reputation with big events in which she participated, the film looks at small things like the uniform she had to wear in Vichy France and a scene at an outdoor flea market where the director finds cardboard cutouts of herself and other filmmakers with their works listed on the back. But there is much more. With actors dramatizing important memories from her life, The Beaches of Agnes is filled with the people, including her two grown children, places and events, including her trips to Cuba and China that contributed to her personal growth and made her the lively and vibrant person she is today. She closes the documentary by saying, "I am alive, and I remember." While we are still alive, we will remember her.