La belle equipe or They Were Five is often praised as the highest achievement of Julien Duvivier. It's French poetic realism at its finest - a style whose most remembered representatives are: L'Atalante (1934) by Jean Vigo and Jean Renoir's La Grande Illusion (1937). When Charles Spaak had just finished the screenplay of La belle equipe the master Jean Renoir got actually very interested in it and wanted to film it, but Julien Duvivier had already bought the rights for it. One can't help but wonder how different the film might have been if Renoir would've filmed it. At least it would've gained much more reputation, but no one can no whether it would have been better, because Duvivier was a very talented filmmaker as well. La belle equipe represents the French optimism (1935-36), it's also a true national film and an interesting contemporary description of the working class.
A group of five penniless workers wander around the streets of Paris. They live in a lousy block of flats, whose landlord put the light out immediately by 9 pm. One night when they are playing cards in the darkness, a pleasant message arrives: they've just won 100, 000 Francs with the lottery. After a quick enthusiasm they realize that the amount won't last through their whole life: so they decide to buy and reconstruct a small resort out of town. Eventually wealth and fortune start to rip the group apart and unpredictable events begin to occur.
Julien Duvivier first shows the miserable life of the workers: he shows them hanging in the streets, leaning on dirty walls and hiding from cops. The happy twist seems quite surreal, but the series of events it occurs is far more interesting. As I mentioned above the film represents the optimism in France during that time: is it possible for the working class to go and work on their own outside of the society? It's quite hard to know what Duvivier thought himself because he filmed two different endings: a pessimist ending for the bourgeoisie and an optimist one for the working class, which is far more well known and often the ending distributed in Europe.
No matter what Duvivier himself thought, - is it possible in this society for the working class to stand up and do what they've dreamed of, La belle equipe is a poetic description of its time. It beautifully exhales the optimism of the short era in France before the WWII, which Jean Renoir tried to prevent with his poetic masterpiece La Grande Illusion. La belle equipe is a true national film.
A group of five penniless workers wander around the streets of Paris. They live in a lousy block of flats, whose landlord put the light out immediately by 9 pm. One night when they are playing cards in the darkness, a pleasant message arrives: they've just won 100, 000 Francs with the lottery. After a quick enthusiasm they realize that the amount won't last through their whole life: so they decide to buy and reconstruct a small resort out of town. Eventually wealth and fortune start to rip the group apart and unpredictable events begin to occur.
Julien Duvivier first shows the miserable life of the workers: he shows them hanging in the streets, leaning on dirty walls and hiding from cops. The happy twist seems quite surreal, but the series of events it occurs is far more interesting. As I mentioned above the film represents the optimism in France during that time: is it possible for the working class to go and work on their own outside of the society? It's quite hard to know what Duvivier thought himself because he filmed two different endings: a pessimist ending for the bourgeoisie and an optimist one for the working class, which is far more well known and often the ending distributed in Europe.
No matter what Duvivier himself thought, - is it possible in this society for the working class to stand up and do what they've dreamed of, La belle equipe is a poetic description of its time. It beautifully exhales the optimism of the short era in France before the WWII, which Jean Renoir tried to prevent with his poetic masterpiece La Grande Illusion. La belle equipe is a true national film.