"Shapes," like fellow early episodes of The X-Files such as "The Jersey Devil," takes a page out of existing folklore and spins it on its head. In this case it is the Algonquian legend of the Manitou that is the topic du jour. The Manitou, traditionally speaking, is viewed as a spiritual being that can take the form of animals or other objects, guiding the world without directly interacting with it. This incarnation of that legend is far less benign, and could either be accused of being an insolent mis-portrayal or a blatant lack of attention to detail, but it's probably best not to factor in the original legend at all and take the episode at face value. This is sci-fi, after all.
Many fans tend to disregard this episode because of its rather thin plot, but in doing so overlook its surprisingly thicker facets. Right from the teaser David Nutter's color-rich direction immediately sucks the viewer into the foggy gloom of "Montana." Nutter directed several of the highly-regarded "classic" episodes from the show's first three seasons, and the same magic touch of those is entirely present in "Shapes." The bleak, mountainous imagery perfectly suits the paranormal overtones of the plot, and the funeral of Joe Goodensnake is just off-kilter enough to leave a memorable impression. Although I can imagine the early Spring climate may not have made filming this episode (or the following week's "Darkness Falls") a bundle of fun, it certainly made for some riveting atmosphere.
That's not to mention the work of a highly-competent guest cast featuring Twin Peaks alumni Michael Horse as Sheriff Tuscany, a figure caught in the social rift between the government and the Trego reservation, and Jimmy Herman, whose presence as the spiritual Ish is very reminiscent of the late, great Floyd Westerman's (who would first appear in the recurring role of Albert Hosteen the following year) and offers some orphic insight into Mulder's character. His monologue is truly a cool moment.
Unfortunately, despite all of this momentum, "Shapes" is still a werewolf episode, and because of that it's disappointingly but expectantly short on surprises. While this isn't the best episode of the first season, it's far from the worst, and it still amazes me how much better this is than later, similar efforts such as "Alpha." So I'll give it a 6 out of 10. Unessential, but not without its moments.
Many fans tend to disregard this episode because of its rather thin plot, but in doing so overlook its surprisingly thicker facets. Right from the teaser David Nutter's color-rich direction immediately sucks the viewer into the foggy gloom of "Montana." Nutter directed several of the highly-regarded "classic" episodes from the show's first three seasons, and the same magic touch of those is entirely present in "Shapes." The bleak, mountainous imagery perfectly suits the paranormal overtones of the plot, and the funeral of Joe Goodensnake is just off-kilter enough to leave a memorable impression. Although I can imagine the early Spring climate may not have made filming this episode (or the following week's "Darkness Falls") a bundle of fun, it certainly made for some riveting atmosphere.
That's not to mention the work of a highly-competent guest cast featuring Twin Peaks alumni Michael Horse as Sheriff Tuscany, a figure caught in the social rift between the government and the Trego reservation, and Jimmy Herman, whose presence as the spiritual Ish is very reminiscent of the late, great Floyd Westerman's (who would first appear in the recurring role of Albert Hosteen the following year) and offers some orphic insight into Mulder's character. His monologue is truly a cool moment.
Unfortunately, despite all of this momentum, "Shapes" is still a werewolf episode, and because of that it's disappointingly but expectantly short on surprises. While this isn't the best episode of the first season, it's far from the worst, and it still amazes me how much better this is than later, similar efforts such as "Alpha." So I'll give it a 6 out of 10. Unessential, but not without its moments.