Hit-man Johnny (well played with brooding intensity by Brad Rijn) carves up a guy in an alley way. Two-year-old boy Matthew (a remarkably good portrayal by the adorable Matthew Stockley) witness the rub out. Johnny befriends Matthew's spunky and self-reliant single mom Sally (a fine and sympathetic performance by Anne Carlise of "Liquid Sky" fame) and plans on eventually killing Matthew. Cult writer/director Larry Cohen makes vivid and inspired use of the dingy New York City locations, firmly grounds the story in a totally plausible everyday reality populated by complex and credible true-to-life characters, and wrings plenty of white-knuckle suspense from the absorbing premise (a scene with Johnny and Matthew on a swing in an empty public park is truly harrowing). Rijn's Johnny makes for a fascinatingly conflicted main character: While his capacity for savage violence is genuinely frightening, Johnny's smooth charm, handsome looks, and anguished struggle with his own conscience ensure that he's nonetheless still a likable guy. The sound acting from a tip-top cast qualifies as a major asset: Rijn and Carlise do sterling work in the lead roles, with excellent support from John Woehrle as Sally's jerky ex-husband Fred, Stephen Lack as meddlesome detective Lieutenant Burns, Ann Magnuson as Sally's angry man-hating radical feminist friend Malda, and Zachary Hains as wise old Mafia capo Moletti. Paul Glickman's slick cinematography gives the picture a nice bright look. Dwight Dixon's moody'n'jazzy score also does the trick. An unjustly neglected and underrated sleeper.
Review of Perfect Strangers
Perfect Strangers
(1984)
Neat urban noir thriller from the always reliable Larry Cohen
23 September 2010
Warning: Spoilers