Once again, Peter Greenaway has created a film that holds your attention, and tells a story in a very captivating way.
What I found most ironic, and what really bowled me over, was how "unexperimental" this film seemed. After his recent directorial forays ("8 1/2 Women" and the "Tulse Luper Suitcases" come to mind), "Nightwatching" will seem unexpectedly boring in comparison. One might anticipate a visual spectacle, an overwhelming of the senses as seems to be Greenaway's modus operandi. The real richness of "Nightwatching" is in the little things, the simplest of details, and the pure joy of watching a master working within a more traditional cinematic framework.
When I think of the impact "Nightwatching" had on me initially, I am reminded of a similar experience when I recently viewed Lars Von Trier's "Antichrist". I was rather caught off-guard by "Antichrist's" lack of overt experimentation. But as someone who appreciates subtlety and nuance in film, I felt my time was well-spent. Plus, there's nothing I like more than walking away feeling as if I haven't been spoon-fed a story, that I've been allowed to use my BRAIN, and fill in the blanks a bit as the story moves along.
I find it doubly ironic that this film was released internationally in 2007, and only recently released domestically in the US (2010), and to lukewarm reviews at best. Greenaway is an artist never to be underestimated, and I implore you to give this film your utmost attention. It's also kinda cool to see Greenaway "geek out" a bit -- he's so obsessed with Remembrandt and all things Dutch, enjoy!
What I found most ironic, and what really bowled me over, was how "unexperimental" this film seemed. After his recent directorial forays ("8 1/2 Women" and the "Tulse Luper Suitcases" come to mind), "Nightwatching" will seem unexpectedly boring in comparison. One might anticipate a visual spectacle, an overwhelming of the senses as seems to be Greenaway's modus operandi. The real richness of "Nightwatching" is in the little things, the simplest of details, and the pure joy of watching a master working within a more traditional cinematic framework.
When I think of the impact "Nightwatching" had on me initially, I am reminded of a similar experience when I recently viewed Lars Von Trier's "Antichrist". I was rather caught off-guard by "Antichrist's" lack of overt experimentation. But as someone who appreciates subtlety and nuance in film, I felt my time was well-spent. Plus, there's nothing I like more than walking away feeling as if I haven't been spoon-fed a story, that I've been allowed to use my BRAIN, and fill in the blanks a bit as the story moves along.
I find it doubly ironic that this film was released internationally in 2007, and only recently released domestically in the US (2010), and to lukewarm reviews at best. Greenaway is an artist never to be underestimated, and I implore you to give this film your utmost attention. It's also kinda cool to see Greenaway "geek out" a bit -- he's so obsessed with Remembrandt and all things Dutch, enjoy!