I'll spare you the standard review and assume that you've already accepted that Aeon Flux is bloody awesome. What follows is a guide to getting the full bloody awesomeness out of this experience.
If at all possible, take it in chronological order since the first 6 shorts are what set the stage. Essentially all rules are bent, broken, defecated upon and then handed back to us with a hint of Snuggle fabric softener. This is no mere cartoon; this is a revolution in storytelling.
The best way to describe the shorts is to say they are visual puzzles for us to solve. It ain't easy, either. I highly recommend watching the short, feeling like an idiot, and then watching it again with Peter's commentary. He doesn't always spell out the solution, but he gives some good hints that allow you to appreciate it on its intended philosophical level.
I'll give you just one example without really ruining anything. In the episode "War", we see a bunch of people killing people, getting killed, and more of the same. But there's much more to it than that. What Chung does is play on our fickle sympathies to make us change loyalties over & over. Without noticing, we start out rooting for the black team, then the white team, back to black, white, black, etc. You can surmise what sort of statement he's making about the act of war & society's attitudes. I can't help but wonder if Peter Chung was a fan of the 19th century French writer Maupassant ("Tell the people to vote for the Emperor and they'll vote for the Emperor. Tell the people to vote for the Republic and they'll vote for the Republic.")
Bloody awesome.
Other episodes are more abstract but just as deliberate & defined. In "Tide" we're presented with some seemingly arbitrary, repeating scenes. But actually it's a very carefully orchestrated show. The scenes, each exactly 2 sec long, repeat in a scripted sequence that can only be described as mathematical (or as Peter says in the commentary, "musical").
Bloody bloody awesome.
OK, I'm probably losing some of you, and that's to be expected. After all, what's interesting about political, mathematical & metaphysical themes? The answer: a hot assassin chick in a vinyl bikini with boobs that defy Newton's Laws of Physics, that's what.
What's the word I'm looking for? Oh right: bloody freaking whacktastic awesome.
After the initial 6 shorts comes the Pilot which is also without dialogue and highly expressionistic as well as philosophically jam packed. However when the actual series followed, MTV took more of an active role making changes that weren't always for the best. The biggest change is that the characters speak. Another big change is that Aeon develops more of a consistent personality and morality (unlike in the shorts where she was an Existentialist to the max). Some of the episodes are still very good--the ones written by Peter Chung--but others were given to different writers who didn't have a clear grasp on the artistic concept. The result was more plot driven, linear, humorous at times & random at times. At the same time, some of it became more poetic in a literal sense. In all, a very different flavour but still very enjoyable, even if the episodes aren't the brain-teasers we had seen at first.
That's about all I have to say, so I'll close by saying we need more women dressing up as Aeon Flux at halloween parties. Ladies, if you do that you win hands down. Well except for maybe the green star trek chick.
If at all possible, take it in chronological order since the first 6 shorts are what set the stage. Essentially all rules are bent, broken, defecated upon and then handed back to us with a hint of Snuggle fabric softener. This is no mere cartoon; this is a revolution in storytelling.
The best way to describe the shorts is to say they are visual puzzles for us to solve. It ain't easy, either. I highly recommend watching the short, feeling like an idiot, and then watching it again with Peter's commentary. He doesn't always spell out the solution, but he gives some good hints that allow you to appreciate it on its intended philosophical level.
I'll give you just one example without really ruining anything. In the episode "War", we see a bunch of people killing people, getting killed, and more of the same. But there's much more to it than that. What Chung does is play on our fickle sympathies to make us change loyalties over & over. Without noticing, we start out rooting for the black team, then the white team, back to black, white, black, etc. You can surmise what sort of statement he's making about the act of war & society's attitudes. I can't help but wonder if Peter Chung was a fan of the 19th century French writer Maupassant ("Tell the people to vote for the Emperor and they'll vote for the Emperor. Tell the people to vote for the Republic and they'll vote for the Republic.")
Bloody awesome.
Other episodes are more abstract but just as deliberate & defined. In "Tide" we're presented with some seemingly arbitrary, repeating scenes. But actually it's a very carefully orchestrated show. The scenes, each exactly 2 sec long, repeat in a scripted sequence that can only be described as mathematical (or as Peter says in the commentary, "musical").
Bloody bloody awesome.
OK, I'm probably losing some of you, and that's to be expected. After all, what's interesting about political, mathematical & metaphysical themes? The answer: a hot assassin chick in a vinyl bikini with boobs that defy Newton's Laws of Physics, that's what.
What's the word I'm looking for? Oh right: bloody freaking whacktastic awesome.
After the initial 6 shorts comes the Pilot which is also without dialogue and highly expressionistic as well as philosophically jam packed. However when the actual series followed, MTV took more of an active role making changes that weren't always for the best. The biggest change is that the characters speak. Another big change is that Aeon develops more of a consistent personality and morality (unlike in the shorts where she was an Existentialist to the max). Some of the episodes are still very good--the ones written by Peter Chung--but others were given to different writers who didn't have a clear grasp on the artistic concept. The result was more plot driven, linear, humorous at times & random at times. At the same time, some of it became more poetic in a literal sense. In all, a very different flavour but still very enjoyable, even if the episodes aren't the brain-teasers we had seen at first.
That's about all I have to say, so I'll close by saying we need more women dressing up as Aeon Flux at halloween parties. Ladies, if you do that you win hands down. Well except for maybe the green star trek chick.