It sure has been a while since I last watched Wes Craven's "Deadly Friend", but I had forgotten just how much fun it was. The plot is so absurd and has murder sequences so surreal, I was completely won over. A bright teenager who can create artificially intelligent robots and understands complex matters concerning the human brain, responds to a crisis rather extraordinarily..his girlfriend is killed by her lousy, cruel, drunk of a father(..he knocks her down the stairs causing a head trauma/cerebral hemorrhage)and the kid, Paul(Matthew Laborteaux)resurrects the girl, Samantha(Kristy Swanson)by implanting his robot's computer chip intelligence in her brain! This Frankensteinian maneuver unleashes a cavalcade of problems he attempts to juggle with little success.
First, Paul's friend, newspaper boy Tom(Michael Sharrett), who helped him kidnap Sam's body from the hospital, is having a hard time accepting what they had done. Second, the computer chip that Paul inserted in Sam's brain, is controlling her..this is a major setback because robot BB was starting to evolve into an entity which made it's own decisions without his master's approval, and it seems Sam is following orders directed by BB. Third, certain targets are being systematically murdered such as a paranoid neighbor who doesn't like people, Elvira Parker(Anne Ramsey; Throw Mama from the Train/The Goonies), always pointing her double-barrel shotgun at folks, who was responsible for destroying BB and Harry Pringle(Richard Marcus), the louse who sent his daughter crashing down the stairs to her demise. Fourth, Paul is having a difficult time keeping Sam stashed away, and getting her to follow instructions is not an easy task. With Tom about to crack, his mom(Anne Tworney) always close to discovering Sam, and a body count, Paul's life spirals out of control and it will only be a matter of time before the secret's out.
I like how Craven creates what looks like a television movie, only for the outbursts of violence to shock the viewer into silence such as the celebrated head explosion gag by the use of a basketball(..this is followed by a body hopping about without the head as blood squirts out)..how Samantha is all of a sudden equipped with superhuman strength, allowed to lift a grown man in the air after snapping his wrist back, crushing his throat while having him extended high off the ground. Or, when Samantha lifts a biker bully, picking on Paul, over her head, hurling him into a cop car's windshield. Craven includes an amusing nightmare sequence many might consider a homage to "A Nightmare on Elm Street" where Paul finds someone slithering underneath his bed sheets, only to find the charred visage of a victim whose head had been eviscerated in an incinerator. We also spend time with Paul's cute robot before it's blown to smithereens by mean old hag Elvira, and it's established here that it's got some malevolence in it's evolving programming(..right at the start, BB nearly chokes the life out of a thief planning to lift money from Paul's mother's purse), how it could cause harm if needed. The plot itself is laughable, no doubt, and it's hard not to giggle at the ending where Paul hasn't learned his lesson, reaping unpleasantly for his interference in the process of life and death, having created a monster he will not be able to contain.
First, Paul's friend, newspaper boy Tom(Michael Sharrett), who helped him kidnap Sam's body from the hospital, is having a hard time accepting what they had done. Second, the computer chip that Paul inserted in Sam's brain, is controlling her..this is a major setback because robot BB was starting to evolve into an entity which made it's own decisions without his master's approval, and it seems Sam is following orders directed by BB. Third, certain targets are being systematically murdered such as a paranoid neighbor who doesn't like people, Elvira Parker(Anne Ramsey; Throw Mama from the Train/The Goonies), always pointing her double-barrel shotgun at folks, who was responsible for destroying BB and Harry Pringle(Richard Marcus), the louse who sent his daughter crashing down the stairs to her demise. Fourth, Paul is having a difficult time keeping Sam stashed away, and getting her to follow instructions is not an easy task. With Tom about to crack, his mom(Anne Tworney) always close to discovering Sam, and a body count, Paul's life spirals out of control and it will only be a matter of time before the secret's out.
I like how Craven creates what looks like a television movie, only for the outbursts of violence to shock the viewer into silence such as the celebrated head explosion gag by the use of a basketball(..this is followed by a body hopping about without the head as blood squirts out)..how Samantha is all of a sudden equipped with superhuman strength, allowed to lift a grown man in the air after snapping his wrist back, crushing his throat while having him extended high off the ground. Or, when Samantha lifts a biker bully, picking on Paul, over her head, hurling him into a cop car's windshield. Craven includes an amusing nightmare sequence many might consider a homage to "A Nightmare on Elm Street" where Paul finds someone slithering underneath his bed sheets, only to find the charred visage of a victim whose head had been eviscerated in an incinerator. We also spend time with Paul's cute robot before it's blown to smithereens by mean old hag Elvira, and it's established here that it's got some malevolence in it's evolving programming(..right at the start, BB nearly chokes the life out of a thief planning to lift money from Paul's mother's purse), how it could cause harm if needed. The plot itself is laughable, no doubt, and it's hard not to giggle at the ending where Paul hasn't learned his lesson, reaping unpleasantly for his interference in the process of life and death, having created a monster he will not be able to contain.