Review of Teorema

Teorema (1968)
2/10
I hated it but don't despise it
14 March 2010
Warning: Spoilers
Someone said you should look at your mood before rating this film. I had to walk an unnecessary kilometre to buy my ticket, someone was using a cellphone during the credits, and the WHOLE film was shown in a too-wide aspect ratio - after I had alerted the organisers, having seen the problem while watching the splash-page, over and over. (It was shown rather dimly off a DVD.) So I have to give the film a huge discount for my grumpiness.

I didn't like it. I don't despise it, because I think Pasolini was sincere in making it, not trying to put one over us with pretentious piffle (cf Fellini). It's certainly not the worst film ever made, not dishonest, condescending or manipulative, just slow, opaque and uninvolving (but maybe the last is just me; see above).

My (and most people's?) disconnect from Teorema is that we can no longer identify with the Italian Catholic guilt that overcame most of the family after succumbing to Terence Stamp's undoubted charms. He had sex with them (usually at their instigation - to say "he seduced them" is to exaggerate wildly) and a reaction is to be expected, but catatonia? Levitation and autointerment? Bad art? (OK, bad art.)

And is there really a volcanic desert handy to the Milan (?) railway station that anyone can walk to naked without being intercepted?

So when it (finally!) said "FINE" I said "Fine by me."
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