I liked James Spader's performance; demonstrating as it does a vulnerable quality I didn't know he had. All those wistful looks off into the distance, and the general aura of a man beaten down by life make for something that – I have to say - is pretty touching! This softer element he brings to the part was a nice change from seeing him do the sleazeball routine for the umpteenth time... The movie itself is reminiscent of Pretty Woman in spots, and is a pleasant surprise. An offbeat sleeper on Sarandon's resume.
It's got that whole 'you can't rationalise who you love' motif, which I'm all too aware of, in my everyday living... (of course)
The whole 'keeping things around for show as an empty token of status' philosophy of some of the protagonists pals is a nice comment on the world of yuppie superficiality that James Spader's characters themselves have often been found immersed in. The movie could easily have been just another bland melodrama, but these themes provide a refreshing and unexpected counterpoint.
It's got that whole 'you can't rationalise who you love' motif, which I'm all too aware of, in my everyday living... (of course)
The whole 'keeping things around for show as an empty token of status' philosophy of some of the protagonists pals is a nice comment on the world of yuppie superficiality that James Spader's characters themselves have often been found immersed in. The movie could easily have been just another bland melodrama, but these themes provide a refreshing and unexpected counterpoint.